This year, Fossil Cove Press re-released The Mermaid’s Tale, a hard core, grim dark fantasy about Orcs, serial killers and redemption. It’s been out of print since Five Rivers Publications had closed down and rights reverted back to me.
The Mermaid’s Tale is a gritty, film noir chronicle of a nameless female Orc who is summoned to find the killer of a sacred being, a mermaid. The murder was so heinous that only a savage creature could have done it, so her people have summoned a monster to hunt a monster. The Orc’s a rough and brutal character, the product of a cruel life as an outcast, but smarter than she lets on. Her quest takes her across a multi-racial city where she encounters different races, and finds herself on the trail of something her world has never seen before – the first serial killer. As she hunts, something peculiar happens, she develops empathy and insight, her interactions with strange races trigger empathy, and she becomes obsessed with stopping the killer. While all of this is going on, the City itself is spiraling into civil war. Can she stop the killer before it all goes to pieces?
I wrote this years ago, back in the days when I was in a writer’s group that included Steve Erickson (Malazan Book of the Fallen), David Keck (Tales of Durand), Ian Ross (CBC’s Joe from Winnipeg/Governor General Award Winner), Scott Ellis (Benny the Antichrist and Crawling to the Moon) and Mireille Theriault (Prairie Witch). Am I name dropping? Hell yes!!