Can*Con A Convention Diary

Our latest youtube video, produced and edited by Dean Naday, starring me.
Actually, I found myself reluctant to watch this. I don’t think the camera likes me – my face is stiff and damaged, worn down and lumpy. I’m inexpressive, my upper lip barely moves. My conversation, my monologue is peppered with pauses and drags, hums and haws. I had to force myself to watch the video.
But… but I actually sounded okay. As I was sitting there, talking to the camera, I think there was something raw and honest and thoughtful to my monologue. Not arrogant. Just… me. Bemused, a little insecure and uncertain, tentative, but honest. It felt like there was something real here.
I liked the segments where I interviewed people, particularly Rachel A. Rosen who was so passionate and colourful, and Holly Tannis so committed to their art.
I wouldn’t have recorded this at all, without Dean pushing me. And it wouldn’t exist without Dean editing it all together.
So thanks, man.
And for the rest of you, check it out.
https://www.youtube.com/watch?v=ih4_k9mCaPQ

CAN*CON – Screw the Hero, let’s talk the Scribe’s Journey

CAN*CON 2026 – The Writing Life, Hanging with the Scribes

So, when I wasn’t ambushing and selling books to the unwary, I got interested in the other dealers. Who were all these strange people? Why were they here? What drove them? I wanted to know about them. I wanted to know about their books. I wanted to admire their tables and set ups. To hear their passion.
So, I started to go around, doing brief interviews here and there. I talked to anyone who would let me, and I loved it. And I think they loved it right back. We were all the same people. We were people who loved stories and who loved sharing stories.
This video includes:  Bruno Lombardi, Jen Desmarais (Desiree Dubois), Eric Desmarais, Stephanie Ann, M.K. Schultz, Kyle Bentley, Kelsey August da Silva, Danielle Harding Nevins (D.H. Nevins), Barret Nevins, Heather Chambers, Helga R. Paxton, Gail Morrow, Jesse Edwards, Alice Chase.

STEINBACH MALL BOOK FAIR

TABLE DAYS – AUTHORS OF MANITOBA.
     Well, another excursion selling books directly is over. This one wasn’t nearly as brutal as last week’s Horrorcon, which was effectively 15 hours. This one ran from 10:00 am to 6:00 pm, at the Steinbach Clearsprings Mall. So eight hours, plus two hours travel back and forth and set up.
     Some background – Steinbach is a town, mostly Mennonite, about 45 minutes out from Winnipeg. Population about 20,000, it’s sustained by local agriculture, and feeding off of Winnipeg’s commerce – it’s the place for car dealerships for instance.
Clearspring Mall is a fairly active mall on the outskirts of Steinbach. Main tenant is a Sobeys, it’s got a mix of stores. A lot of malls are dying, but this a fairly lively shopping center.
     Authors of Manitoba is a local writing organization driven by perky little human dynamo, Casia Schreyer. Casia is from Steinbach, hence the Authors event at the Clearspring mall.
     Honestly, I had my doubts. I’ve come to appreciate that there’s an entire culture or industry of these small vendors – not just writers and book sellers, but soap makers, jewelry makers, knick knack sellers, clothing sellers, 3D printer afficionados, crafts-people of every possible stripe and variety. And there’s literally a circuit of flea markets, church bake sales, small collectors conventions, local festivals, street parties, etc. etc., where people gather, and where these vendors show up.
     Some of them are incredibly elaborate – lovingly crafted handmade stuff, big detailed booths that are practically a cottage with roofs, signage, all kinds of stuff. Some… are selling knick knacks and junk from Temu. It’s all over. Mostly, there’s some degree of personal investment.
     I don’t really wholly understand it all. Do people make an actual living at this? I’ve come to think that at least some do, although it feels like a tough way to do it. For some, it’s a labour of love. For some it’s a hobby of sorts for a little extra money to supplement income or just get out of the house.
     I think actually, there’s scope to examine these people and this interesting little culture of travelling vendors. Someone should do a Master’s Thesis or something.
     Anyway, so Casia organizes one of these events at the Steinbach mall. It turns out there were about fifty-something vendors. I was impressed. About half of them were writers by my count – there’s the usual jewelry makes, knitters, specialists. We all occupied two rows of tables, down the two main wings of the mall.
     Like I said, I had doubts. It didn’t seem to me that an Author’s event like this was, in and of itself, going to attract much of a crowd. With something like the Horror Con, or Collectible Cons, or a Science Fiction Convention like Keycon, people are going there for the thing itself. You get a table or booth there, you know people are coming for that.
     This? I didn’t see us getting much more than regular Mall traffic. It might attract a few extra people. But not that many, particularly considering its in an outlying town of 20,000 rather than in the city of a Million.
      But I thought, what the hell. Give it a try. Who knows.

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WRITING ACTION SCENES: Violence, Trauma and Altered Consciousness

By D.G. Valdron, an online Presentation, Tuesday, September 22, 2026, for Nicole Whisler’s Facebook group

“Finish My Fantasy Novel: Write My Best Book”

All too often, violence is sugar coated, from Finn giving a football whoop as he blows up his former friends in The Force Awakens, to Legolas and Gimli’s friendly rivalry keeping score on their murders in Lord of the Rings.  Fantasy action is armies and battles either abstracted or cheerful all too often.
But in the real world action is violence. It’s traumatic and terrifying, your body goes through changes, your mind doesn’t work the same way. Instead of heroism there’s desperation and terror, a cavalcade of emotions.  Your heartrate shoots, adrenalin floods, your attention narrows.  And afterwards? Collapse, elation, depression, ptsd.
I’m really looking forward to this. With a personal history of violence and trauma, and having encountered it professionally, I think that I can offer a lot of insight into the inner dynamic, the emotions, the sensations, the alterations to consciousness that a lot of writers are missing when attempting action or fight scenes.

A FIELD GUIDE TO SELF PUBLISHING – September 5, 2026

Exactly what it says on the box.  Got the craving to write? Eager to see you work in the world? Want to do it your way?

Welcome to the Crash Course in Self Publishing, by yours truly, hosted by the Manitoba Writers Guild.  We’ll guide you through ISBN registrations, the National Library of Canada, Copyright, book formatting, cover design, all the ins and outs of signing up to IngramSpark, Amazon and other spaces and getting your books out. Ebooks, Hardcovers, Print-Books and Audio, the opportunities and challenges of each.  Print on Demand, Small Presses, Small Printers, Friesen Press, Vanity and Hybrid publishers, cover designers and artists, editors. You name it.  Spaces are limited, they’re going fast. So sign up today!

All proceeds are donated back to the Manitoba Writers Guild.

Sign Up Here…

Field Guide to Self-Publishing

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WHEN WORDS COLLIDE – MY SCHEDULE

Ladies and Gentlemen, Genders of your Choice, Children of all Ages, Assorted Sentients and Sophonts,

Here’s my schedule for When Words Collide 2026. This is the stuff I’ll be actually doing. Basically, three low impact items, meet and greet, autographs and stuff. And three big items – Panels on AI, Presentations on Copyright and Contracts. You’ll find my notes on the big items on this website. Feel free to stop by and sit in.  I’m very entertaining. If you’re very entertaining too, so much the better!

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A CRASH COURSE IN CONTRACTS FOR WRITERS

WHEN YOU’RE A WRITER, YOU’RE NOT JUST AN ARTIST. YOU’RE ALSO A VICTIM.

A SAP, A SUCKER, A DOOFUS, A STUMBLEBUM, A BLINDFOLDED TRAVELER TRYING TO CROSS THE ROAD AT RUSH HOUR, YOU’RE THE ROADKILL ON THE PUBLISHING HIGHWAY.

But do you have to be?

WRITING IS NOT JUST ART, IT’S A BUSINESS, PUBLISHING IS A BUSINESS. YOUR PUBLISHER IS NOT YOUR FRIEND, YOUR EDITOR IS NOT YOUR FRIEND, YOUR AGENT IS NOT YOUR FRIEND.

Or rather, everyone is friends right up until they’re not friends 

IT’S ALL BUSINESS, AND YOU NEED TO KNOW THE CONCEPTS YOURSELF, TO UNDERSTAND THE ISSUES, AND HAVE SOME CONTROL OVER YOUR CAREER.

THERE ARE WAY TOO MANY STORIES ABOUT HOW THE WRITER GOT SCREWED. OFTEN, IT COMES DOWN TO ‘SHIT HAPPENED’  BUT ACTING LIKE A PROFESSIONAL MAY SAVE YOU SOME HEADACHES. HERE ARE THE FUNDAMENTALS OF PUBLISHING CONTRACTS, AND SOME OF THE TOOLS TO AT LEAST KNOW WHAT’S GOING ON.

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COMING SOON!!!

Just a little relaxation project, while I’ve been working on other stuff. This is another collection in the same vein of Dawn of Cthulhu, Fall of Atlantis and Murder Chickens on Mars.

The cover art, by the way, is taken from the original poster for the 1925 film, The Lost World, now in public domain. I’ve cropped out the poster for everything but the dinosaur, switched to B&W and played with tints, textures and contrasts till I had something representing the old gray-skinned, leathery/rubbery stop motion dino look, slapped a border around and set it in red to make it pop.

 

Have a FRIGHTFUL FRIDAY THIRTEENTH

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