biography

CONVENTIONS UPDATE

CONVENTION SCHEDULE
Well, even though I’m not able to attend the World Fantasy Convention in Niagara Falls, October 17 – 20, 2024, in person, I will be participating as an online member.
I’m confirmed for two panels:
STOLEN VALOR
World Fantasy Convention – Friday, October 18, 2024 – 10:00 a.m.
* Fiction is about creating believable and/or identifiable characters. But can an author write the “other” successfully without offending those they hope to portray? How has cultural appropriation impacted the genres? Do sensitivity readers help ensure real representation? How do we make sure that actual disenfranchised people get to the table?
Panelists
Maurice Broaddus
P Djeli Clark
Pat Murphy
Vanessa Phin
D.G. Valdron
CROSSING BOUNDARIES: BLENDED GENRES
Saturday, October 19, 2024 – 12:00 p.m.
* Blended genres such as romantasy have extended the boundaries of fantasy and horror. What boundaries are being crossed in today’s genre fiction? What new boundaries loom on the horizon?
Panelists
Casella Brookins, Moderator
Heather Graham, Guest of Honour
A. T. Greenblat
Mica Scotti Kole
D.G. Valdron
Assuming my eyes hold up and travel is permitted, I hope to be attending Can-Con Literary Festival in Ottawa, November 1-3, 2024.
I’m scheduled for one panel there:
TWISTING THE TROPES – OVERDONE?
Sunday, November 3, 2024 at 2:30
For a long time, one frequent piece of writing advice has been to take a common trope and turn it upside down: the chosen one is weak and useless, and their followers are the heroes; the surprise villain; the monster is just misunderstood. Is reversing or twisting a trope still solid advice, or is it rarer now to see a trope played straight? How are writers still using this strategy and standing out? How do we ensure there is still space to play, without excluding authors who haven’t had a chance to do so yet?
Panelists:
Claudie Arsenault
Aysha U Farah
Kari Maaren
D.G. Valdron.
In addition, I’ll be participating in a book launch at McNally Robinson:
TWILIGHT OF ECHELON BOOK LAUNCH
McNally Robinson, Winnipeg,
November 26, 2024, at 7:00 pm
At Bay Press hosts the Launch of the collaborative work based around the Twilight of Echelon painting series by famed artist Robert Pasternak, with collaborating writers Den Valdron, Loverne Kindzierski, Alex Passey and Blaize Moritz.
That should keep me busy. I did drop the ball a little bit, the Winnipeg Comic Con, October 25 to 27 was apparently looking for people to do panels. Sadly, I was distracted by vision problems in September, and a full work schedule, so I let that go by.
Still, I’ve already done 24 panels and workshops so far. This will bring me up to 28. And I have or will have attended six conventions and about eight other professional events. So I think I’m working it pretty hard.

NASFIC, DAYS 3 & 4, July 20 & 21

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[photo from File 770, the Doctor Who Panel]
NASFIC DAY 3 AND 4
I AM A LOVECRAFTIAN HORROR… that was my throwaway intro on my first panel. But I liked it, it felt right, so I used it for the rest of my programming. I think I’ll make it my catch prhase. Sometimes I’d follow up with, ‘…. a lawyer’ or sometimes ‘…. and also a lawyer.’
The humans would laugh, I’d smile at them, and we’d just get on with things.
     But I’ll tell you, there’s something really satisfying about beginning with this moment of honesty. It starts things off on the right foot.

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NASFIC AND MARKETING

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     My last panel for NASFIC was on Marketing. I shared it with J.F. Holmes, former military guy, small press guy – Canon Publishing, a military SF publisher ; and Michael Green Jr., a well traveled data scientist.
    Marketing is a tough subject. It doesn’t come instinctively to writers – the skills and mindset necessary to write a novel, are not necessarily the skills and mindset to go out into the marketplace. But appallingly, it’s being dumped on writers more and more.
    Unless you’re a runaway best seller, or they sniff that about you, major publishers leave marketing to writers. So much so, that Amazon has a special program where traditionally published authors can buy advertising – imagine that, pouring your advance into advertising your own book, so that the publisher can make enough money to give you another book, and an advance that you can pour into advertising for them.
    Small Presses, also mostly leave marketing to the writer, although some of them make efforts for you. I’m sympathetic mostly – running a small press is incredibly hard, requires all kinds of time, more skills than any one person has, and is typically a labour of love. They offload marketing to the writer because they have no time, no money and not the first clue about marketing in many cases.
    Of course that makes me less interested in small presses. If they’re not doing anything that I can’t already do for myself, and the area that I’m weak in is the area that they’re weak in… what’s the point. A small press that partners and helps teach or educate you on marketing is great, I’ll sign up. If not, then why bother?

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NASFIC DAY TWO, JULY 19, 2024

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Picture – Electric Tower, Buffalo downtown. Steel frame art deco building built by the local utility company in the early era of electrification.
NASFIC – Day Two
     No walking around exploring the City. Just no time. Went to a convenience store and stocked up on bottled water, that’s about it. Not much in the way of attending Panels. I sat in on a reading. Attended a panel on Anthologies, and another on Small Press. Mainly, activities were preparing for panels, re-reading, psyching up. There were a lot of them – I had six programming items, five panels and a reading, and I was moderating three panels. It took a lot of my focus.
    * 11:00 am – Public Domain with Leigh Grossman and Vaughne Hansen. This went really well. We filled half the room on a friday morning, which was incredible to me. I moderated, we through a lot of information at the audience, people asked questions, everyone was engaged. Got along really well. I felt we were scattershot, but everyone seemed thrilled and happy to have learned stuff.
    * 3:00 pm – Current SF on TV – Chuck Rothman, again Cameron Calkins, Fingers and Maria. I thought this would be my toughest one – there’s just so much SF on TV, it’s impossible to keep up. But it went well. We all just kept on talking.
    * 5:00 pm – Impact of AI on SF Writing and Art – my second AI panel, this one I’m moderating. Neil Clarke again Ira Nayman, and Alex Shvartzman. The big one – we got the Grand Ballroom to work in. I moderated again. Went extremely well. Wide ranging discussion, at points we verged on conspiracy theory, but the reality is that the corps that are pushing this have an extralegal strategy. The message – keep watching, talking pushing back.

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KICKSTARTER! WELL, THAT’S DONE.

THE KICKSTARTER EXPERIENCE

Well, the Starlost Unauthorized Kickstarter is over. Frankly, I’m a bit relieved.  It’s been a trip, but honestly, I felt a little bad about bothering people with my promotional efforts.

It worked though – I reached 230% of goal, or almost $2300.00 which is more than I’ve made for any other single book I’ve written… for a book I haven’t written.  I’m not sure whether to laugh or cry.

First, I should express my thanks: To Stephen Kotowych, who provided an incredibly clear, straightforward and useful presentation on Kickstarters at the Indy Writer’s Conference in Toronto, back in April, and who was kind enough to review my draft Kickstarter.  Tao Wong, who organized the Indy Writer’s Conference, which ended up a cornucopia of useful ideas, advice and opportunities. Alex McGillivary, who also inspired with his Kickstarter for Bigfoot Country, and offered useful advice.  Dean Naday, cinematographer and video editor who saved me from going over a cliff, and Anna Valdron, for support. Without each of them, this Kickstarter wouldn’t exist, or it wouldn’t have been nearly as effective.

I also want to express my thanks to everyone who knew me and pledged.  I am touched.  Maybe it was just the project was kick ass and amazing, but I can’t help but narcisstically feel that it was a personal gesture of faith and friendship, and that means a lot.

And my thanks to all the people who had no clue who I was, but decided that this project was worthwhile and deserved support.  I think that was about 60% of my backers.  To you, I say: Brothers! Sisters! Indeterminate strangers! I love that you love this subject, I’m passionate about it too!

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STARLOST KICKSTARTER – FINAL WEEK

Starlost Unauthorized by D.G. Valdron — Kickstarter

Hello Boys and Girls and Other, Children of all ages, Sapient beings of any description!  Welcome to my Starlost Kickstarter!

I am thrilled to say, that we exceeded our initial goal in the first week!  We are now into our Stretch Goal of $2000 – $2500.

It’s been a great experience, I want to thank everyone for their support.  But now I want to do the final push. If you’ve pledged support, god bless you, and thank you so much.  I’m not asking you for money.  If you’d like to support, but don’t have money, that’s okay too.  But what I am asking for every single one of you, is to help spread the message, pass the word, email, post, repost this, send it to friends, send it to groups you think might get into it.

This is going to be a hell of a book, I am passionate about it. Help me make it great!

BOOK NEWS – DRUNK SLUTTY ELF AND ZOMBIES

Just a quick note.  DRUNK SLUTTY ELF AND ZOMBIES has been uploaded to IngramSpark.  It can now be ordered from the 40,000 platforms, including thousands of brick and mortar bookstores that IngramSpark spark!

Just a note of explanation – IngramSpark is to print books what Amazon is to Ebooks. They’re a giant publisher and distributor, hosting many titles, and providing services to small and independent publishers.  Getting onto IngramSpark is potentially a major breakthrough.

Does that mean I’ll be getting into real bookstores?  Probably not. The economics don’t quite work.

Basically, physical bookstores operate on a rip and return basis.  They order books, they try to sell them within a specific period of time. If they don’t, then they just rip off the covers, send them back, junk the rest and only pay for what they’ve sold.  Believe it or not, that’s the way it’s been working for a hundred years, and it’s been working fine… mostly. It’s the operating mode for books, magazines and newspapers.  And it works fine for big publishers, dealing in substantial volumes.

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TINY PLASTIC MEN – JUST GO WATCH IT

Tiny Plastic Men scores AMPIA award nominations | National Screen Institute - Canada (NSI)

I’m a horrible person. I freely admit that. But I’m not horrible all the time. I have moments when I’m even okay to be around.

And when those moments happen, you’ll find me searching for the gently quirky, the strange, the oddball. All those hidden treasures and diamonds in the rough we all go blasting past, on our way to our busy lives.

Which brings me to Tiny Plastic Men, a very quirky, very fun little television series that deserves cult status and a lot more attention than it seems to have gotten.

Tiny Plastic Men is about three guys who work in a little independent toy company, Gottfried Brothers. Gottfried isn’t Mattel or Lego, but by God, they’re in there giving it their all, from board games, to action figures, to video games and somehow, they’ve managed to care themselves a niche.

Our heroes are three peons who work in the testing department: Crad, played by Chris Craddock — the everyman of the group, middle aged, divorced, burnt out, anger issues and yet somehow struggling to get by and be a decent person while pining for his boss, for whom he nurses a crush; October, played by Mark Meer, who starts off goth and gets seriously weird, and Addison, played by Matthew Alden, a kind of stereotypical lovable lunk of a manchild. Rounding out the cast are Alexandra Gottfried, played by, Belinda Cornish, daughter of old man Gottfried, and a piranha in a woman’s body, who Crad pines for. Beyond that, there’s a revolving cast of recurring characters.

Given that this is a show about three buddies working as product testers in some second string toy factory, you shouldn’t expect this to be your regular sitcom about people sitting around their apartments or having real jobs in the real world. There’s a basic silliness to the premise, a bit of surrealism, a bit of absurdity, a lot of off the wall stuff. This is not Friends, trust me. It’s not even the Big Bang Theory.

In fact, I don’t think that there’s anything quite like it. The closest I can come to is a sort of Earthbound version of Red Dwarf or perhaps a more insane version of the IT Crowd.

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AI IS “NICE”

Robots | Amazing stories, Science fiction illustration, Science fiction magazines

That’s not a compliment. It’s a deception. AI is programmed to be ‘nice.’ It says ‘excuse me’ and “i think what you’re looking for’ and “oh sorry.”

It engages in what amounts to calming, engaging, non-confrontational, obsequious language.

That’s not real. It’s not even AI. There’s no real special programming involved in saying ‘please’ and ‘thank you’ and ‘excuse me.’

That’s just idiot coding, building obsequious tropes designed to give the impression of a friendly, slightly submissive, inoffensive, eager to please personality. Seriously, just pick out a couple of hundred mildly ass-kissing vague phrases, sprinkle them in to pop up randomly at appropriate places, and you have a simulation of a friendly helpful personality.

It’s so insidious and so simple that I’m stunned that all those automated customer service phone menus that we get stuck with, instead of real people haven’t been programmed with. But then again, those automated menus aren’t there to really help you, but to stream you, and if necessary get rid of you.

It’s definitely not real. There’s no actual personality, no actual identity, there’s no morals, ethics or judgment. It’s just a guise, wrapped around an AI interactive program, to enlist our sympathy and emotional engagement.

The problem with this fake ‘niceness’ is its seductive. We find ourselves trusting it, because it seems careful, because it seems to be earnestly trying its best, because it seems likable.

Me, I don’t trust nice. You k now who is ‘nice’? Predators. Con men. People who lie. People who want to sell you junk. People who want things to you that maybe you don’t want to give them. People who will hurt you.

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2-24 TORONTO WRITING WORKSHOP

Back from the 2024 TORONTO WRITING WORKSHOP it was a bit of a whirlwind. Flyout Friday evening, do the workshop, and fly back literally immediately.

Literally immediately:  The workshop ended at 5:00, took the cab to the airport, went through security and back home a few hours later.

So … the experience?

This was a bit different from other Conventions I’ve attended.  There were two tracks of programming, a couple of morning sessions, a couple of afternoon sessions, but that was peripheral. What really drove this Convention was the opportunity to make pitches to Agents and Editors.

I did attend a couple of programming sessions. Marketing yourself and Ten Keys to Writing Succes – they were okay, mostly inspirational. There were some practical sessions I didn’t make because I was doing pitches that would have been useful. I’m sorry I missed those.

There programming sessions I couldn’t care less about. Twelve ways to start a story, crafting satisfying endings, that kind of thing. I’ve been writing thirty years; I’ve got multiple short story and book credits. Don’t teach grandma how to suck eggs.

The Pitches:  It was like speed dating. Or what I’ve read speed dating is like.

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