As of June/July, 2022, literally twenty years after the show went off the air, long after almost anyone else cared, my long, long relationship with LEXX comes to an end, with the release of trade paperbacks of each of the four volume LEXX Unauthorized series, and the release of an audio-book version of volume one.
This feels significant, if only to me. But here I am, I’ve got a blog, so I’ve got a forum to talk about it.
To begin with: What is LEXX?
It’s a television series that ran four seasons from 1997 to 2002, about an organic spaceship, a ten mile long dragonfly designed to blow up planets. The ship was stolen by a wayward crew of misfits – Stanley Tweedle, a former security guard fourth class; Zev or Xev Bellringer, a rebellious wife and escaped love slave; Kai, an undead former assassin, and 790 a love-struck robot head.
Over the course of four seasons, they fought an evil empire, destroyed a planet sized bug, presided over the destruction of an entire universe, went to heaven and hell, and ended up on Earth, where things didn’t go well.
It was also a marvellously surreal and subversive show, owing as much to Barbarella and film makers like Bunuel and Jodorowsky as it did Star Trek and Star Wars. It frequently indulged surrealist and absurdist sensibilities, introducing stunning images and ideas. It was, quite simply unique.
And it was a thoroughly Canadian product, even a regional product, conceived, produced and populated by Atlantic Canadians, from Salter Street Films in Halifax. The background story of its creation and production was almost as unconventional, bizarre and entertaining as anything on camera.
I loved it.
I loved it enough to write books about it.