Semi-Finals!

Word came in today, my novel, The Princess of Asylum, has breached the Quarter Finals, and has made it into the Semi-Finals!

That makes it one of the top five entries in the Sci Fi/Fantasy/Horror category!

Finalist will be the top entry in the category.

Grand Prize winner will be the best of all the categories.

I feel like I’m in Glen Garry Glen Ross, man oh man, one more win and those steak knives are almost in reach!

Booklife Contest: Update – The Luck

The review came in finally, with The Luck, my second entry into the Booklife Contest.  Just to recap, it’s a legit contest.  All the entries get a professional review, which you can use, or bury forever in a lead lined vault, depending on how the review turns out. Some of them are pretty scathing, I gather, looking at previous comments (complaints).  After the initial round there’s the quarterly finals, the semi-finals, the finals and then a First prize of $5000.00.  My first entry, The Princess of Asylum, has made it into the quarter finals.

Plot: Valdron’s The Luck is a sequel/prequel to The Mermaid’s Tale, but it succeeds as a stand-alone title. Valdron’s complex, well-woven work of fantasy immediately thrusts readers into a detailed world occupied by a menagerie of beings living at odds with, and in suspicion of, one another.

Prose: Valdron’s writing is immersive and colorful, providing a a fine blend of descriptive worldbuilding, exposition, and dialogue that lifts the storytelling.

Originality: The world of The Luck is filled by familiar beings, but provides freshness in the dynamics between these occupants and communities in conflict, as well as its mystery element. The journey of an orc and her unlikely gnome companion, is a rich and enjoyable one.

Character/Execution: Valdron’s protagonist is immensely intriguing. Her identity is slow to emerge and readers expecting a quick moving fantasy may grow frustrated. Those willing to invest in her and other creaturely characters’ story arcs, will be deeply rewarded.

Score:

  • Plot/Idea: 8
  • Originality: 8
  • Prose: 8
  • Character/Execution: 9
  • Overall: 8.25
You are welcome to use this Critic’s Report as promotional copy or as a blurb to promote your book. Please note: When attributing quotes from this Critic’s Report, you must credit The BookLife Prize.

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I’m officially a Quarter Finalist!

My unpublished novel, The Princess of Asylum, has officially made it into the Quarter Finals, for the Booklife Prize.  Yay!!!

https://booklife.com/prize/5/category/6

The BookLife Prize is an annual writing Contest  sponsored by BookLife and Publishers Weekly. The Prize seeks to support independent authors and discover great written works in nine categories across the two Sections. The categories in the Fiction Contest are: Romance/Erotica; Mystery/Thriller; Science Fiction/Fantasy/Horror; General Fiction; and Middle-Grade & YA Fiction.

It’s a multi stage process.

Quarter Finals:   All novels submitted to the BookLife Prize will be initially judged by the professional book reviewers of Publishers Weekly. Each submission will receive an evaluation called a Critic’s Report. Each Critic’s Report consists of a brief written critical assessment of the novel, as well as a rating–on a one to 10 scale–of the book’s strengths and weaknesses in the following categories: Characterization, Plot, Prose/Style, Originality, and Overall Strength. The submissions with the 10 highest scores in each genre will move to the quarter-finals.  THAT’S WHERE I AM.

Semi Finals:  All submissions advancing to the quarter-finals will be critically assessed by the editorial staffs of Publishers Weekly and BookLife. Of the ten quarter-finalists in each category, five will be selected based on merit by PW and BookLife’s editors to advance to the semifinals in their categories. The semi-finalists will be announced on BookLife on October 22, 2020. TOMORROW

Finals:  All semi-finalist submissions will be critically assessed by a guest judge–professional book editor or bestselling/award-winning author–in each of the five categories. The guest judges will select one submission from each category to advance to the finals round. These five submissions will be the winners in each of their respective categories.  The finalists will be announced on November 15, 2020.

The Prize From the five finalists, the panel of guest judges will select one grand prize winner for the Fiction Contest with a grand cash prize of $5,000 going to the most outstanding finalist in each Contest.

So….  Today, I ride high.  Tomorrow, I may end up as just another nobody.  A has been, a second place contender.  But right now, I’m a quarter finalist, with a shot at advancing to the Semi-Finals, and perhaps further.

Who knows?  But it’s exciting, right?

Meanwhile, here’s the review, once again….

I might as well make hay while the sun shines.

Plot/Idea: 9 out of 10
Originality: 10 out of 10
Prose: 9 out of 10
Character/Execution: 9 out of 10
Overall: 9.25 out of 10

Assessment:

Plot: D.G. Valdron’s bold, funny, fast-moving fantasy The Princess of Asylum follows quick-witted actress Dae Zea Lors after the destruction of her city. Dae survives in the wasteland by improvising a series of increasingly outlandish lies and personae, convincing bandits and orgus and more that she’s, variably, a princess, or an expert in jewel magic, and eventually a priestess. The story’s scope is epic, with airships and military sieges galore, but its tone is light and its perspective intimate, always tied to Dae. Inevitably, the hero’s lies make her a leader, and she’s surprised to discover herself caring about people beyond herself. The novel opens as a picaresque, with Dae bumbling from encounter to encounter, but by the end, as the plot takes shape, readers will actually care for Dae’s world and companions. The sense of urgency that powers the novel’s final third, though, is sometimes missing in the book’s middle, especially in the occasional cases when the balance between comedy and fantasy storytelling proves uncertain.

Prose/Style: Valdron excels at both the narrative perspective of his protagonist, a savvy actress who finds being on a fantasy adventure something of a comic imposition, and at the demands of epic fantasy storytelling. His worldbuilding is memorable and unique but communicated to readers in Dae’s offhand observations; his descriptions of the fantastic or terrifying are quick and powerful. Much of the novel is driven by dialogue, as Dae improvises new selves and lies to stay alive; at times, the characters she’s hoodwinking, such are written as if they’re willing participants in a comedy routine, such as the tyrant who apologizes for scheduling conflicts with her upcoming execution. The novel’s pleasures and occasional problems rise from the same source: the tricky balance between the comedy of Dae’s improvisations and the threatening reality around her. For the most part, though, Valdron aces that balance.

Originality: It is rare for a fantasy novel to center on such an exciting new character and idea. Besides the strength of the premise and Dae’s general delightfulness, the world of The Princess of Asylum is itself original, wrought with care, and revealed in tantalizing glimpses.

Character Development: There’s no doubt about it: Dae is a character readers will love, and her wit and sensibility drive the book. She faces hard choices, makes surprising sacrifices, and movingly comes to care about more than her own life. At times, especially in the novel’s middle, the complaints and patter of Dae’s inner monologue cut against the narrative urgency, especially when she’s joking or crabbing about the book’s cast as if they’re all in a play together rather than continually facing their own deaths. At such moments, she seems not to have grown during her adventures, reverting to being a comic type rather than a fully-shaped protagonist. That makes the novel feel long, even as it’s entertaining: If she’s not taking the situations seriously, readers will be tempted to join her. The saps, villains, monsters, and occasional upstanding folks she encounter also prove memorable, driven by their own coherent but interesting motivations.

Blurb: A fast-talking actress makes her scrappy way across the wasteland, surviving by her wits — and shaping empires with her lies. Imagine a vivid high fantasy, full of beasts and sieges and cults, narrated with the wit of Anita Loos.

Date Submitted: August 14, 2020

 

Local Heroes: Daniel McMillan, Lost Temples and Deceptive Visions

The one and only time, so far, that I met Daniel McMillan was last year in Brandon.  I was giving a workshop on Copyright for the Brandon Public Library and he was one of the participants.  Even in that brief session, Daniel distinguished himself with his focused, relentless approach. He wasn’t just there to learn, he was there to write, and he was voraciously interested in everything about the craft.  Since then, I’ve been impressed by his dedication to his craft, and to his prodigious output.  Now, on the eve of Daniel’s latest novel, the exotic and intriguing  The Lost Temple of Phoketh, I’m happy to showcase him and his work…

I honestly don’t believe that not expressing one’s self creatively is even an option. Nor is it self-indulgent, and it is certainly not a luxury meant to be attempted by the creative elite. We all owe it to ourselves to unearth our passions and chase after them or, rather, allow them to come to us without being shoved away by irrational fears or feelings of ineptitude.

Writing, for me, has become like a disease for which there is no known cure. Not that I would want to be cured. I love my illness, and will never relinquish it to anyone under any circumstances. It has set a long-dormant part of me free.

I wasn’t always a writer, but at the same time, I was always a writer. I published my first book in 2017—a non-fiction book that I may someday dust off and polish, but until then will remain mine and mine alone. It doesn’t live up to my standards. Even though it would take some effort to make it into something that I would share now, the point is that I completed it and loved doing it. At the time, it didn’t matter if it was good or not. The goal was just to get it done.

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Convention Appearances!

Go figure.  Despite Covid-19, I will be making appearances at a couple of conventions, thanks to the magic of  Zoom and the intertubes.

****

San Diego Who Con 2020 

http://www.sdwhocon.com/

A Virtual Con starting today, October 9, 2020

Dr Who Fan films and other fan related creations panel –Join David Dawson from IntelleXual Entertainment, Anna Livingston, Raymond Montemayor and Den Valdron, as they talk about their work and other artistic endeavors each is involved with.

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Local Heroes: Joan Havelange and the Mystery Tour

My genre is speculative fiction. Science Fiction, Fantasy, Horror, Surrealism, Magic Realism etc.  But  there are other genre’s.  Mystery is the kissing cousin to speculative fiction.  Both mystery and horror were founded by Edgar Allen Poe, and the genres cross back and forth.

Today, I want to showcase Joan Havelange, a Manitoba mystery writer, and absolutely gracious lady, following in the footstapes of Agatha Christie.  Her sleuth, Mabel Havelock, has featured in two novels with a third upcoming, and hopefully many more. I hope that you enjoy this brief glimpse and that you search out Mabel’s adventures…

I  directed a  theatre for 15 years. I find writing is a lot like directing; only my characters show up on time and always know their lines. Although sometimes they do go off in a direction that surprises me.  All fictional stories, I think, start out as ‘what if?’ What if you were golfing and your wayward shot ends up in the middle of a dead man’s forehead?

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Demon Hotel, Based on a True Story

The Demon Hotel is a real thing. Or it was. Demon Hotel used to be an abandoned three story apartment block at 44 Hargrave in downtown Winnipeg. It was a formidable brick structure dating from around 1910, with a red brick facade and old fashioned bay windows which loomed ominously. The stone stairs that fronted it had been slowly worn by thousands of feet going back and forth over decades. The front lobby was covered with mosaic tiles, and featured a long broken pay phone.

Inside the building was a maze of resident staircases going up and down, emergency stairs, and service stairs which concealed the ancient wiring and plumbing. I’d actually visited it decades ago, passing by the broken pay phone, its casing cracked, and hanging out with street kids in the basement, as they hot knifed hash and talked music and gossip.

I’m not sure why the building closed down. Perhaps settling or subsidence of the soil following the great Winnipeg flood a decade or so ago, you could see visible cracks running up from the foundation, crawling the length of the building, and skewing the window frames, giving the front of the building a wicked twisted smile, as if it knew something you didn’t, something dark and disturbing.

But close down it did. The last tenants moved out, died or were evicted. Desultory efforts at renovation were begun and then abandoned. The windows on the lower floors were boarded up, but now and then, lights seemed to shine from the unboarded upper windows. Shapes were sometimes glimpsed in those upper windows, the fleeting impressions of windows looking down.

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Booklife Contest: Princess of Asylum, Update

So here goes… I’ve entered my unpublished novel, Princess of Asylum into the Booklife Contest.   It’s a legit contest.  All the entries get a professional review, which you can use, or bury forever in a lead lined vault, depending on how the review turns out. Some of them are pretty scathing, I gather, looking at previous comments (complaints).  After the initial round there’s the quarterly finals, the semi-finals and then a First prize of $5000.00.

Anyway, I got my review back….

Blurb: A fast-talking actress makes her scrappy way across the wasteland, surviving by her wits — and shaping empires with her lies. Imagine a vivid high fantasy, full of beasts and sieges and cults, narrated with the wit of Anita Loos.

Plot: D.G. Valdron’s bold, funny, fast-moving fantasy The Princess of Asylum follows quick-witted actress Dae Zea Lors after the destruction of her city. Dae survives in the wasteland by improvising a series of increasingly outlandish lies and personae, convincing bandits and orgus and more that she’s, variably, a princess, or an expert in jewel magic, and eventually a priestess. The story’s scope is epic, with airships and military sieges galore, but its tone is light and its perspective intimate, always tied to Dae. Inevitably, the hero’s lies make her a leader, and she’s surprised to discover herself caring about people beyond herself. The novel opens as a picaresque, with Dae bumbling from encounter to encounter, but by the end, as the plot takes shape, readers will actually care for Dae’s world and companions. The sense of urgency that powers the novel’s final third, though, is sometimes missing in the book’s middle, especially in the occasional cases when the balance between comedy and fantasy storytelling proves uncertain.

Prose/Style: Valdron excels at both the narrative perspective of his protagonist, a savvy actress who finds being on a fantasy adventure something of a comic imposition, and at the demands of epic fantasy storytelling. His worldbuilding is memorable and unique but communicated to readers in Dae’s offhand observations; his descriptions of the fantastic or terrifying are quick and powerful. Much of the novel is driven by dialogue, as Dae improvises new selves and lies to stay alive; at times, the characters she’s hoodwinking, such are written as if they’re willing participants in a comedy routine, such as the tyrant who apologizes for scheduling conflicts with her upcoming execution. The novel’s pleasures and occasional problems rise from the same source: the tricky balance between the comedy of Dae’s improvisations and the threatening reality around her. For the most part, though, Valdron aces that balance.

Originality: It is rare for a fantasy novel to center on such an exciting new character and idea. Besides the strength of the premise and Dae’s general delightfulness, the world of The Princess of Asylum is itself original, wrought with care, and revealed in tantalizing glimpses.

Character Development: There’s no doubt about it: Dae is a character readers will love, and her wit and sensibility drive the book. She faces hard choices, makes surprising sacrifices, and movingly comes to care about more than her own life. At times, especially in the novel’s middle, the complaints and patter of Dae’s inner monologue cut against the narrative urgency, especially when she’s joking or crabbing about the book’s cast as if they’re all in a play together rather than continually facing their own deaths. At such moments, she seems not to have grown during her adventures, reverting to being a comic type rather than a fully-shaped protagonist. That makes the novel feel long, even as it’s entertaining: If she’s not taking the situations seriously, readers will be tempted to join her. The saps, villains, monsters, and occasional upstanding folks she encounter also prove memorable, driven by their own coherent but interesting motivations.

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Local Heroes: Casia and the Rose Princesses

I hate people like Casia Shreyer.  I started noticing her at conventions, this petite whirlwind of activity, organizing group tables for multiple authors, helping out people, keeping journals, going camping, raising children with her husband, running a household, yarn crafts, studying tae kwan do, and writing up a storm, blasting out twenty books so far (twenty!), all with inexhaustible energy, irrepressible good cheer. She’s one of these good people who can’t help trying to make the world better, and inadvertently making the rest of us look like lazy cynical gits in the process.

I’ll tell ya, lazy old monster that I am, my response to such cheerful brilliant souls is usually just to do something horrible, usually with a wood chipper, and bury the remains where it won’t annoy people.  But Casia, she’s probably reorganize the underworld, chug out another book series and bring pilates classes to hell.  We don’t really want pilates classes in hell, do we?.  So there’s no point, really. What can you do?

Casia’s Rose Garden is a five book series, a young adult adventure series for teen girls.  With allusions and similarities to everything from the Fisher King and Tibetan Buddhism, to Sailor Moon, they’re about young women growing as they struggle with a difficult and complex world and challenges of life that are not always cut and dried.  It’s an impressive body of work and I think it deserves to find a wider audience. 

Take it away, Casia….

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Covers are a Pain in the Ass

Covers are a giant pain in the ass. Seriously.

I love writing. It’s my sane place, it’s my compulsion. I’ll just happily write away, stories, novels, briefs, what have you. There’s nothing like a good piece of writing to soothe the soul.

But then I do this self publishing gig, and it’s not enough to write. You have to edit, revise, arrange, assemble, format. Most of this I can do myself, with varying degrees of skill, or lack thereof?

But covers? Oh geez. What do you do for that?

I’ve been told, and I have reason to believe that the best selling covers are images of shirtless young men with six packs.

Yeah, okay, sure. That’s pretty much every romance novel cover ever! So I guess it appeals to women, and gay men. And come to think of it, that’s every Tarzan, every Doc Savage, every superhero, and a hell of a lot of adventure stories. So women, gay men, teenage boys, etc. It’s got universal appeal.

Maybe that’s what I should be doing for covers?

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