Ever hear of Jeff LeRoy? He’s one of my favourite film makers – auteur of Rat Scratch Fever, Werewolf in a Women’s Prison, Dracula in a Woman’s Prison, Creepies, Predator World and many more. And he’s actually a nice guy.
I first came across LeRoy when I was watching Creepies. It’s a sub-B movie about a giant spider. I say sub-B, it was obviously shot on a nothing budget, amateur actors, amateur effects, but for all the sub par trashiness, it was fun.
There’s a scene where the giant spider is tumbling down the Hollywood Hills past the sign. And I had this strange moment of dissonance. The spider was pretty tosh, pretty much a stuffed doll. The scale model of the Hollywood Hills was really good, realistic enough that it sold me, and for a second, I had the weird impression that someone was throwing a two hundred foot stuffed doll down the real Hollywood Hills for the shot. It was just a second’s flash. I’m not foolish.
But it brought home to me just how complicated movies are, how absolutely many moving parts there are to it, there are literally thousands of components, and you have to get every single one right. There’s so much to do, and it’s the stuff you miss out on that calls attention to itself. The audience can be very unforgiving.
But I was impressed by this one thing. The movie clearly wasn’t expensive, but it managed to do some things cleverly. So I found Jeff on Youtube, complimented him, and he sent me another couple of his films – including Werewolf in a Woman’s Prison, filled with gore, nudity, a near ludicrous plot, and an over the top sense of fun.
I loved it. And of course, in a movie filled with gratuitious gore and nudity, I listened to the Directors commentary, because that’s the kind of nerd I am. He said something that really hit me.
He said that what’s important about a film, whether it’s made for Five Thousand, or Five Hundred Million, is that it needs to make you want to keep watching every moment, it has to be interesting, it has to be entertaining.
If you’re looking at your watch, checking your texts, or just reciting the dialogue before the actor says it… it’s not a good film, even if it cost a billion dollars.
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