1st Draft done. 2nd Draft done, Currently reorganizing up to 3rd and hopefully final draft.
Waiting to do a few interviews. Doing the cut off.
writing
PERVERSIONS & INFIDELITIES, DEUX
Eve St. Albert returns with her second volume of Perversions and Infidelities, three more novellas of desire, transgression, sex and satisfaction. Perversions and Infidelities is a four book series being produced by Fossil Cove Publishing, with Dawne Dominque as the cover artist. The first three books each contain a series of novellas featuring erotic tales for a women’s readership. These are stories of empowerment, adventure and satisfaction. Of women breaking free of their normal lives, embarking on transgressive sexual journeys, exploring power, identity, fantasy and desire and ultimately, finding their true selves.
NASFIC, DAYS 3 & 4, July 20 & 21
[photo from File 770, the Doctor Who Panel]
NASFIC DAY 3 AND 4
I AM A LOVECRAFTIAN HORROR… that was my throwaway intro on my first panel. But I liked it, it felt right, so I used it for the rest of my programming. I think I’ll make it my catch prhase. Sometimes I’d follow up with, ‘…. a lawyer’ or sometimes ‘…. and also a lawyer.’
The humans would laugh, I’d smile at them, and we’d just get on with things.
But I’ll tell you, there’s something really satisfying about beginning with this moment of honesty. It starts things off on the right foot.
NASFIC AND MARKETING
My last panel for NASFIC was on Marketing. I shared it with J.F. Holmes, former military guy, small press guy – Canon Publishing, a military SF publisher ; and Michael Green Jr., a well traveled data scientist.
Marketing is a tough subject. It doesn’t come instinctively to writers – the skills and mindset necessary to write a novel, are not necessarily the skills and mindset to go out into the marketplace. But appallingly, it’s being dumped on writers more and more.
Unless you’re a runaway best seller, or they sniff that about you, major publishers leave marketing to writers. So much so, that Amazon has a special program where traditionally published authors can buy advertising – imagine that, pouring your advance into advertising your own book, so that the publisher can make enough money to give you another book, and an advance that you can pour into advertising for them.
Small Presses, also mostly leave marketing to the writer, although some of them make efforts for you. I’m sympathetic mostly – running a small press is incredibly hard, requires all kinds of time, more skills than any one person has, and is typically a labour of love. They offload marketing to the writer because they have no time, no money and not the first clue about marketing in many cases.
Of course that makes me less interested in small presses. If they’re not doing anything that I can’t already do for myself, and the area that I’m weak in is the area that they’re weak in… what’s the point. A small press that partners and helps teach or educate you on marketing is great, I’ll sign up. If not, then why bother?
NASFIC DAY TWO, JULY 19, 2024
Picture – Electric Tower, Buffalo downtown. Steel frame art deco building built by the local utility company in the early era of electrification.
NASFIC – Day Two
No walking around exploring the City. Just no time. Went to a convenience store and stocked up on bottled water, that’s about it. Not much in the way of attending Panels. I sat in on a reading. Attended a panel on Anthologies, and another on Small Press. Mainly, activities were preparing for panels, re-reading, psyching up. There were a lot of them – I had six programming items, five panels and a reading, and I was moderating three panels. It took a lot of my focus.
* 11:00 am – Public Domain with Leigh Grossman and Vaughne Hansen. This went really well. We filled half the room on a friday morning, which was incredible to me. I moderated, we through a lot of information at the audience, people asked questions, everyone was engaged. Got along really well. I felt we were scattershot, but everyone seemed thrilled and happy to have learned stuff.
* 3:00 pm – Current SF on TV – Chuck Rothman, again Cameron Calkins, Fingers and Maria. I thought this would be my toughest one – there’s just so much SF on TV, it’s impossible to keep up. But it went well. We all just kept on talking.
* 5:00 pm – Impact of AI on SF Writing and Art – my second AI panel, this one I’m moderating. Neil Clarke again Ira Nayman, and Alex Shvartzman. The big one – we got the Grand Ballroom to work in. I moderated again. Went extremely well. Wide ranging discussion, at points we verged on conspiracy theory, but the reality is that the corps that are pushing this have an extralegal strategy. The message – keep watching, talking pushing back.
Perversions & Infidelities, an Erotic Collection
Welcome to Fossil Cove Publishing’s foray into Erotica, Perversions and Infidelities, the first of a four book series written by Eve St. Albert, with cover by Dawne Dominique.
Perversions and Infidelities, is a collection of four erotic novellas of women’s erotic. In particular, it focuses on women stepping out of assigned roles, refusing to accept the place life designates for them, and struggling to break free, to find fulfillment and adventure, even if their satisfaction requires transgression.
The stories explore themes of identity, both identities assigned and identities assumed; fantasy, and self discovery. Each character finds themselves in a position where they go beyond the rules to discover themselves. Sometimes they stumble there accidentally, sometimes they flee in desperation and restlessness, and for some a doorway into temptation opens. It is erotica with a literary edge, nasty stories of women who unapologetically want what they want.
STARLOST KICKSTARTER – FINAL WEEK
Starlost Unauthorized by D.G. Valdron — Kickstarter
Hello Boys and Girls and Other, Children of all ages, Sapient beings of any description! Welcome to my Starlost Kickstarter!
I am thrilled to say, that we exceeded our initial goal in the first week! We are now into our Stretch Goal of $2000 – $2500.
It’s been a great experience, I want to thank everyone for their support. But now I want to do the final push. If you’ve pledged support, god bless you, and thank you so much. I’m not asking you for money. If you’d like to support, but don’t have money, that’s okay too. But what I am asking for every single one of you, is to help spread the message, pass the word, email, post, repost this, send it to friends, send it to groups you think might get into it.
This is going to be a hell of a book, I am passionate about it. Help me make it great!
STARLOST UNAUTHORIZED KICKSTARTER IS GOING LIVE
JUST WHAT IT SAYS. THE KICKSTARTER IS GOING LIVE, AS OF JUNE 18, 2024
TIPS AND TRICKS DOING BOOK COVERS
At this point, I have published well over two dozen books for myself and other writers, and as a writer, I can say that covers are a pain in the ass.
So I thought I’d jot down a few notes to maybe help out other writers, including self publishers and people working with small presses.
Apart from either doing book covers myself, or being an active participant in the design of covers, I have a few other qualifications. Back in the day, when newspapers were laid out by hand, I was a production manager on small newspapers and magazines. Following that, I went on to design posters and promotional materials for stage plays, short films and arts and cultural events. As this was going on, I maintained a steady interest in art and audited art history classes. I don’t pretend to be some great authority, but I do know enough to make my way around a page.
THE CANVAS
In the old days, book cover design was pretty simple. Broadly, you had two sizes – paperback or pocketbooks about 4.5 x 6.5 inches, and trade paperbacks – loosely around 6 x 9 inches. Both had a width to height ratio of around 2 x 3. There was lots of variation, but those were decent rules of thumb.
The point being that you had a good idea of the space you had to work with, and the ratio you needed to work with, and subject to a little fiddling, you were fine. This may seem like mechanics, but the scope of the canvas dictates what you can and can’t do, or what works and what doesn’t work.
Now, however, it’s gotten more complicated. For books, we still have that 2 x 3 ratio, and pocketbooks and trade paperbacks. But now book covers are being presented in a variety of sizes, only some of which involve the physical books.
If you are browsing online Amazon or Barnes & Noble for instance, your first sight of the cover will be a tiny thumbnail, maybe 1.5 x 2.5 inches, and that first sight will be accompanied by a whole bunch of other similarly sized book covers competing for attention. That’s on a computer screen, if its on your phone, it’s even worse.
The key take-away is that for random online book browsing, your cover will be presenting under the worst conditions – a tiny image, with lots of competition.