Axis of Andes, an alternative history of World War II in South America will be released in May, 2021
And I have a book cover! Check it out. Nifty, eh. It’s a little busy, but it’s patterned on the style of history texts. So there’s a dominant image of South America at War, with Soldiers trudging along the bottom, and a collage of war images in right and left hand columns. I’m pretty happy with it. I might ask for a tweak here and there.
In other news, Axis of Andes has been broken into two books – Part 1 and Part 2. Simple reason, it was simply too massive for one volume.
The book opens in 1937, as a delegation from Peru meets with Hitler and his cabinet in Berlin, looking for his assistance. From there, the narrative winds back and forth through the history of the region, through the societies and economies of the various nations, as events set nations on a path to war.
Inspired by an actual war between Peru and Ecuador that lasted less than a month in the 1940’s, this new version of history has this war gaining momentum and force, until literally every country in South America is dragged into the conflict and a continent is in flames.
Part One features the origins and early phases of the conflict to the point where the three countries of the Andes – Ecuador, Peru and Chile are locked in a ferocious death struggle.
Part Two sees the conflict escalate steadily engulfing one country after the other, extending from Bolivia and Argentina, to Colombia and the rain forests of Brazil.
LEXX Unauthorized, the final volume! The amazing behind the scenes chronicle of the most brilliantly surreal sci fi series ever made. Twenty years in the making. Releasing next week! Be sure to get your copy and don’t forget to buy the previous books.
I remember the first time I saw I Worship His Shadow.
Forgive me, I’m trying to promote the final book, so that means talking about it and the other books. But I’m coming to the end of my run with LEXX, this thing that’s shadowed me for twenty years, and I think that makes me contemplative.
So… the first time I saw I Worship His Shadow.
It was amazing. We kind of forget that sometimes. We are so awash in stories, in film and television, books and games, there’s only so many ways to play something. After a while, we just get used to it, we get jaded, and there’s so much that becomes so predictable. Genuine surprise and wonder eventually gets dulled.
Ever have a moment where you’re watching a film or television show for the first time, and it’s so utterly formulaic, that you can literally shout out the lines before the actors do? Because even though this is the first time you’ve watched it, it is so dull, so much a part of things we’ve seen over and over, that there’s no surprise. Watching it for the first time, you can recite the actor’s dialogue and the story beats.
But what about those times when an actor says something, when the story does something that you didn’t see coming. When it’s honestly new and unexpected. Remember that thrill?
If any of you are writers or artists out there, then take this as a suggestion. Be unexpected, do the unexpected. The most interesting thing for people is not knowing what happens next. That’s what people watch for. Because if they know what’s next… why do they need to bother watching or reading? Maybe there are other reasons, but if there are, you damned well need to deliver something.
I Worship His Shadow? It was absolutely brilliant. Things happened that I wasn’t expecting or anticipating, everything was new. It was that ‘first time’ sense of wonder and excitement. I literally had no idea what was coming next, who was going to live, who was going to die, where the story was going to go, who was even important to the story, what anyone was going to say. I just had to keep watching to see what happens, I was watching without a net.
It’s odd. I’m not really a fan by nature. I liked Star Trek, enjoyed Star Wars, but I’ve never really gone overboard. I’m mostly a take it or leave it kind of guy. I go through life appreciating things, but I generally don’t obsess.
Well, maybe two exceptions. LEXX and Doctor Who. I step up for those. I like the Doctor because he’s good. I like the LEXX because they’re bizarre. Of the two, I think it was LEXX I went overboard for. Almost to the point of obsession. I wrote the book – the LEXX Unauthorized series. Along the way, I wrote fanfics, submitted spec scripts, watched, wrote and researched obsessively, I even edited together my own versions of LEXX episodes.
I make no apologies, LEXX was endlessly fascinating and anarchic, behind the scenes and on screen. There was an energy, a creativity, a sheer imagination and bravado to the show that still amazes me decades later. It wasn’t perfect, there’s a weird stunted sexuality, they suffered from too much ambition and too little money, and sometimes it went off the rails. But it’s best, it was brilliant. And more than brilliant, it was subversive and surreal.
I’m glad to have had had the access and the contacts that allowed me to research and write, LEXX Unauthorized.
Honestly – this post is just shameless self promotion. I’m trying to get you to by the last book – hell, buy all of them.
I grew up working at a Drive-In, B-Movies are in my blood, cyborgs, ninjas, Charles Bronson flicks, gritty Italian giallos about unstoppable yet sleazy tough guys, careening through life like human car crashes, goofy monsters and the inept heroes floundering after them. My brother was a huge fan of Mack Bolan books, I used to collect them for him. So with that grindhouse sensibility, how could I not love the crazed stylings of I.D. Russell. I first ran across him running a table at a local comic convention, and I quickly became a fan of his altar ego, the demented, unstoppable cop, Frank, from River City, a human engine of destruction, whether he’s facing off against Robot Mounties, Japanese Ninjas, Colombian Drug Lords or the entre at a Red Lobster. Firmly tongue in cheek, his work is full of inspired, hyperviolent lunacy. So check him out, it’s worth it…
I have a compulsion.
I need to be doing something creative.
I’ve made two feature films and have a dozen scripts that I’d like to produce next. I’ve written over thirty novels and published seven. I’ve got lots more story ideas swirling around in my head or illegibly written in point form on scraps of paper all over the house. I run two youtube channels: one a sock puppet movie review parody show and the other an outlet for whatever random short film or goofy sketch idea that crosses my mind.
But I also actively train in Brazilian jiu-jitsu and previously studied Hapkido (where I received a black belt). I’ve dabbled in boxing, tae kwon do, yoga, karate, judo, and aikido. I’ve competed in tournaments, done demonstrations at schools and folklorama and while I’v3 engaged in some pretty intense sparring in class, I’ve never been in a fight. (I’d like to keep it that way.)
So I’m busy. Real busy. The thing is, I can’t sit back on my laurels, (not that I have many in any scheme of things.) There’s always another project to work on, another corner to turn, another thing to try.
About the Workshops….
Never say die. So what have I got lined up for 2021? Four, maybe six new Ebooks, a hardcore quest to find an Agent and break through with a Traditional publisher, more contest, awards submissions, workshops, panels, convention appearances, and a major effort at marketing and promotion. So, let me tell you about what I’ve got in the pipeline:
Lexx Unauthorized: Series Four, Little Blue Marble – the final volume of the chronicles of the LEXX television series, the end of the series, the fall of Salter Street Films, and the decline of Canadian production in a new era of corporate profiteering. LEXX was a unique creation, a Canadian produced, written and starring Space Opera from Halifax, Nova Scotia by an upstart B-movie and regional television programming company. The show had amazing visuals and a sense of surrealism, as much influenced by Jodorowski and Barberella as by Star Trek and Star Wars. Back when the show was in production, I was invited by the creator, Paul Donovan, to write a book. I jumped on that, spending three years and thousands of dollars on the project, travelling across the country repeatedly interviewing everyone in sight. It was a labour of love. Ultimately the book deal fell through back then. Frustrated, I just wrote the book anyway, the way I wanted to… without any consideration of actual publication or publishers demands. Years later, after a flood, a marital breakdown, three major moves, two hard drive crashes, a career change I rediscovered the original manuscript on an unmarked floppy disk. I figured that the traditional publishing marketplace has zero interest in a book about an obscure cult TV series over a decade old. So I decided to upload it as a series of ebooks, one for each series. It’s a huge work – all four volumes together come close to 400,000 words. This is the end of the series, the final volume. I’m happy with it.
This is a bit belated, sorry about that. It’s been kicking around in my drafts file.
2020 has come and gone, and frankly, none of us are going to miss it. Between the Coronaclypse and all its attendant melt downs, the American election fiasco and Trump’s appalling conduct, wildfires, floods, murder hornets and everything else, I’m just as happy to be done with the whole thing.
But I figured I’d take stock of how the writing career has gone.
On the Positive Side, Seven New Ebooks
- Bear Cavalry, A True (Not!) History of the Icelandic Bears – alternate history novel told as a Morgan Spurlock documentary.
- Lexx Unauthorized, Series 2 – The Light at the End of the Universe
- The Fall of Atlantis – a quartet of alternate history/speculative novellettes
- There Are No Doors in Dark Places, a collection of horror stories
- Lexx Unauthorized, Series 3 – It’s Hot and it’s Cold
- What Devours Always Hunger, a collection of horror stories.
- The New Doctor a media based alternate history novel, uploaded to Wattpad.
Ebooks by D.G. Valdron
THE MERMAID’S TALE
AUDIOBOOK, Fossil Cove Publishing– ISBN 10 192740097X
To catch a monster, hire a monster. Life is cheap in a primordial city where races from goblins to giants struggle to coexist. But something has crossed the line; a sacred Mermaid has been savagely murdered. The Elders summon an abomination in the eyes of every god, a savage Orc to find the killer. But no one could have guessed where the Orc’s search would take her, or how tenaciously she would cling to her mission. As the city spirals relentlessly into a brutal civil war, the Orc prowls the savage landscape from one kingdom and one race to the next, encountering ruthless shamans, evading the machinations of shadowy powers, she discovers something she never imagined… her own humanity.
This book is violent and brutal and haunting and beautiful. If I could give this a sixth star I would. – Michael Fletcher, author of Beyond Redemption
I absolutely loved this book; it’s already one I know I’ll remember for a long time. I would never have thought a book about an orc would be one of the best existential works I’ve ever read. Kindle Reviewer
This book was wonderful. Seriously… What a beautiful story full of feels, violence and loads of good stuff. This novel definitely exceeded my expectations. – Lady Luna, Goodreads Reviewer
“Where’s the line between the animal and the human? What defines us as humans? I felt this book strike the core of this matter. Oh wow, what a read. This book is dark, engaging, a bit annoying, interesting and full of hard life. With a slight touch of light, shining in the horizon, while sitting near the ocean and listening for the Mermaid’s Tale…. What a tale.” – Orient, Goodreads Reviewer.
Great standalone book. It is certainly grim dark but the blunt humor evens it out. But the ending is triumphantly hopeful – Kindle Reviewer
D.G. Valdron’s ‘The Mermaid’s Tale’ was a completely unexpected read. When I began the book, I never thought I’d come to love the lowly Arukh, a kind of female orc. The story had me questioning everything I think I know about life. When I was done the book, I was overwhelmed by emotion. Kindle Reviewer.
“The Mermaid’s Tale is a fable of personhood wrapped in a murder mystery framed by a fantasy setting, peopled by familiar races that are presented in subtly original ways.” – Melanie, Goodreads Reviewer.
Here I am working on the fourth and final book of LEXX, and it’s a bittersweet experience.
I’m going through old notes, re-reading interviews with Lex Gigeroff and John Dunsworth, hearing their voices in my head, the friendliness, the enthusiasm, the sheer joy of life, and it saddens me to know that they’re gone. That now those voices are only in my head, triggered by the words on screen. The world is a little smaller, a little duller.
With the fourth book, I’m coming to the end of my own long journey with LEXX, and that’s also a little sad I suppose. It’s been with me for such a long time, and finishing this book, setting it loose in the world, will mean the end of something personal for me.
I’ll take a moment and be completely honest. I’m doing a bit of huckstering. I’d like to sell a few books. Honestly, I’d like to sell a lot. But I’ll settle for a few. And hell, maybe even interest some of you in some of my other work. I’m a writer, so I figured the best way to do that is to write something. Offer up something to people that they haven’t seen with LEXX, something that’s just not another publicity photo of Eva or a screen cap of Michael. Offer up myself.
You see, I genuinely believe that LEXX really was something special, something unique. That it was visually innovative and startling, that it plumbed depths or surrealism and absurdity. Everyone knows Vadim for Barbarella, or Jodorowsky or Bunel for surrealism, or Ionescu for the Rhinoceros or Ubu Rex. They teach courses in these guys, they have classes, they’re studied, people do Masters degrees and PhD’s, and I honestly think LEXX is that calibre, that innovative, that subversive and ground breaking. That LEXX is that significant, and the story of LEXX is fascinating and important.
So yes! Yes I want to sell books. When I released the first volume, I just wanted it out of my hard drive, and out in the world. But now, years later, putting all the work into it again and again, damned right I want people to read it!
Still thinking about the attempted Coup on January 6, 2021, about the Nazification of the Republican/Right wing, and the consequences going forward. It ain’t pretty.
One of the defenses that Nazis are raising is to deny it was a Coup attempt at all. This particular party line is that it was a simple riot. Hell, it wasn’t even a riot, it was just a demonstration, a ‘First Amendment Protest’ that got out of hand. Watch for that little descriptor by the way, that’s probably going to be pushed really hard on the right.
“First Amendment Protest” as if anyone in that crowd was thinking of the first amendment as they tried to overthrown Congress.
But the Nazis have the shadow of an argument? Is it a real coup if it’s such a badly organized shit show? Aren’t coup attempts supposed to involve the Army, or at least professionals rather than semi-literate cosplayers and fat guys in T-shirts? Look at them, they just wandered around tasering each other accidentally, pooping in hallways, and stealing letters from Nancy Pelosi’s desk! How do we call that a coup attempt.
Well, there are a few responses.
First, history is full of half baked coup attempts by incompetent ass clowns. Incompetence has never been a defense to a crime.