biography

Amazon Hot List

Hey everyone!  Axis of Andes made the list.  We’re on “Hot New Releases in Alternate History Science Fiction”

https://www.amazon.com/gp/new-releases/books/16275

Yay!!!!

More seriously? Yeah, #55 on the second page. Big whoop. Also note the rather narrow subject matter – a subgenre of a subgenre of speculative fiction

I promise you, it’s not going to my head.

On the other hand, I’ve actually sold a few books, and I’ve got a really good review. And filling out the list are powerhouse writers like Charles Stross, William Deitz, Ken Follet, S.M. Stirling.  And most of the books on the list are from the big six majors, or the medium level second tier publishers. And the list goes to a hundred books and I’m nowhere near the bottom.  So, it’s not bad..

So in the big scheme of things, maybe it’s not much ado. But it’s something, and it’s kind of nice. So I’m happy.

This is what being a writer is – mostly, you get rejected, or simply ignored, your effort to make a mark goes unremarked. And every now and then, you get a few crumbs like that.  You learn to appreciate them. And maybe make them last.

Keycon Econ Report

Well, there it went.  The first and hopefully the last Online Keycon was held over the May long weekend. How was it? A bit wobbly here and there, but on the whole, it worked out just fine.

I think people don’t really realize how demanding a Convention is, and how much work and dedication goes into running it.  The people who work on and volunteer for these conventions are really a breed apart, they put a lot of time and energy into it. You have to acknowledge that.

This was a pretty unusual Keycon, due to the Coronaclypse.  Last year, Keycon cancelled entirely, hit full bore only two months into the Coronaclypse, and amid a provincial shutdown. There was no way it could go on.

As people adapted to the Coronaclypse, we saw the rise of online Cons, E-Cons including When Words Collide in July, and World Fantasy Convention in October.  Unfortunately, Keycon was too early into the pandemic to make that jump.  There just wasn’t enough time to revamp  and reformat the entire Con, and the list of precedents and innovations that allowed for E-Cons wasn’t there yet. Still, the Keycon organizers set about planning for the next convention in 2021, and they kept their eyes and ears open, learning the ins and outs of E-cons, just in case.

I think by March or April, they’d figured out that things weren’t going to be opening up, and they were able to switch gears and reformat their convention.  The revamped online Keycon E-con, or as I like to call it kEycon would be free to anyone who signed up, and considerable thought and effort went into adapting the normal activities of a convention – panels, hospitality rooms, social events, etc., into an online format.

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Worldbuilding Quilting and Characters, oh my

Just a quick update on the writing front.

Last Saturday, I did a World Building Workshop for the Manitoba Writers Guild.  Thousands of words of sample world building, tons of reference materials, books, youtube videos, TV-tropes, etc.  We got a half dozen attendees, and it went really well, a hard core, pedal to the metal introduction to an interesting area of writing.

This Weekend, I’m doing panels at Keycon.  This year, due to the Coronaclypse, Keycon is an online convention.  I’m not sure about my panels.  So far, I think I’m on, or going to be on….

  • Pantsing, Plotting and Quilting – different approaches to writing a novel. There’s a whole bunch of us – Chadwick Gunther, Ron Hore, Susan Forest, Reed Alexander, going an hour and a half from 5:30 to 7:00 on Saturday.
  • Creating Deep Characters – pretty self explanatory, I hope.  Me and Casia Schreyer so far, one hour,  11:00 to 12:00 on Sunday.
  • Worldbuilding – again, with Catherine Fitzimmons, I’m going to sneak onto that one. One hour, 7:00 to 8:00 on Sunday

By the way, go see Keycon’s Website at ….    http://www.keycon.org/38/#sched       They’d love to have you drop by. Membership is free!

One of the nice things about doing convention panels is the chance to meet and kick back with other writers, talk about writing and share the space.  Less pressure, more engagement.  And if you’ve got someone on a panel with you, that guarantees there will be at least one other person attending.  😉

Apart from that, following up on the book covers for Aliens and Elves and Axis of Andes.  I’ve submitted a raft of short stories to Analog, Asimov’s and Fantasy and Science Fiction Magazine.

And I’m working on a query letter and synopsis for my next stab to searching for an Agent.  Last year, I sent out 30 queries for one book, and 10 for second. No joy in mudville.  This year, I’m going to try and break 100 and 50.

And geez, I need to sign up for When Words Collide, and maybe try and get on some panels. Get ready for the World Fantasy Convention in Montreal in August. Oh and there’s more workshops for the Manitoba Writers Guild.  Apart from that, I still have to work on learning marketing and promotions, there’s books to edit and release.

I dunno.  Shouldn’t being a writer involve actually writing something.  All this other stuff is starting to feel like work.  😉

LEXX – The Thrill of the New

LEXX Unauthorized, the final volume!  The amazing behind the scenes chronicle of the most brilliantly surreal sci fi series ever made.  Twenty years in the making.  Releasing next week! Be sure to get your copy and don’t forget to buy the previous books.

I remember the first time I saw I Worship His Shadow.

Forgive me, I’m trying to promote the final book, so that means talking about it and the other books. But I’m coming to the end of my run with LEXX, this thing that’s shadowed me for twenty years, and I think that makes me contemplative.

So… the first time I saw I Worship His Shadow.

It was amazing. We kind of forget that sometimes. We are so awash in stories, in film and television, books and games, there’s only so many ways to play something. After a while, we just get used to it, we get jaded, and there’s so much that becomes so predictable. Genuine surprise and wonder eventually gets dulled.

Ever have a moment where you’re watching a film or television show for the first time, and it’s so utterly formulaic, that you can literally shout out the lines before the actors do? Because even though this is the first time you’ve watched it, it is so dull, so much a part of things we’ve seen over and over, that there’s no surprise. Watching it for the first time, you can recite the actor’s dialogue and the story beats.

But what about those times when an actor says something, when the story does something that you didn’t see coming. When it’s honestly new and unexpected. Remember that thrill?

If any of you are writers or artists out there, then take this as a suggestion. Be unexpected, do the unexpected. The most interesting thing for people is not knowing what happens next. That’s what people watch for. Because if they know what’s next… why do they need to bother watching or reading? Maybe there are other reasons, but if there are, you damned well need to deliver something.

I Worship His Shadow? It was absolutely brilliant. Things happened that I wasn’t expecting or anticipating, everything was new. It was that ‘first time’ sense of wonder and excitement. I literally had no idea what was coming next, who was going to live, who was going to die, where the story was going to go, who was even important to the story, what anyone was going to say. I just had to keep watching to see what happens, I was watching without a net.

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LEXX – The Clone War, An old spec script

[FREE ONLINE] LEXX CLONE WARS aka MAXIMUM CLONEAGE – D.G. Valdron (denvaldron.com)

It’s odd.  I’m not really a fan by nature.  I liked Star Trek, enjoyed Star Wars, but I’ve never really gone overboard.  I’m mostly a take it or leave it kind of guy.  I go through life appreciating things, but I generally don’t obsess.

Well, maybe two exceptions.  LEXX and Doctor Who.  I step up for those. I like the Doctor because he’s good. I like the LEXX because they’re bizarre.  Of the two, I think it was LEXX I went overboard for.  Almost to the point of obsession.  I wrote the book – the LEXX Unauthorized series. Along the way, I wrote fanfics, submitted spec scripts, watched, wrote and researched obsessively, I even edited together my own versions of LEXX episodes.

I make no apologies, LEXX was endlessly fascinating and anarchic, behind the scenes and on screen. There was an energy, a creativity, a sheer imagination and bravado to the show that still amazes me decades later. It wasn’t perfect, there’s a weird stunted sexuality, they suffered from too much ambition and too little money, and sometimes it went off the rails. But it’s best, it was brilliant. And more than brilliant, it was subversive and surreal.

I’m glad to have had had the access and the contacts that allowed me to research and write, LEXX Unauthorized.

Honestly – this post is just shameless self promotion. I’m trying to get you to by the last book – hell, buy all of them.

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2021 – Writing Projects, Big Plans

Never say die. So what have I got lined up for 2021?  Four, maybe six new Ebooks, a hardcore quest to find an Agent and break through with a Traditional publisher, more contest, awards submissions, workshops, panels, convention appearances, and a major effort at marketing and promotion.  So, let me tell you about what I’ve got in the pipeline:

Lexx Unauthorized: Series Four, Little Blue Marble – the final volume of the chronicles of the LEXX television series, the end of the series, the fall of Salter Street Films, and the decline of Canadian production in a new era of corporate profiteering. LEXX was a unique creation, a Canadian produced, written and starring Space Opera from Halifax, Nova Scotia by an upstart B-movie and regional television programming company. The show had amazing visuals and a sense of surrealism, as much influenced by Jodorowski and Barberella as by Star Trek and Star Wars. Back when the show was in production, I was invited by the creator, Paul Donovan, to write a book. I jumped on that, spending three years and thousands of dollars on the project, travelling across the country repeatedly interviewing everyone in sight. It was a labour of love. Ultimately the book deal fell through back then. Frustrated, I just wrote the book anyway, the way I wanted to… without any consideration of actual publication or publishers demands. Years later, after a flood, a marital breakdown, three major moves, two hard drive crashes, a career change I rediscovered the original manuscript on an unmarked floppy disk. I figured that the traditional publishing marketplace has zero interest in a book about an obscure cult TV series over a decade old. So I decided to upload it as a series of ebooks, one for each series. It’s a huge work – all four volumes together come close to 400,000 words. This is the end of the series, the final volume. I’m happy with it.

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LEXX, a personal story

Here I am working on the fourth and final book of LEXX, and it’s a bittersweet experience.

I’m going through old notes, re-reading interviews with Lex Gigeroff and John Dunsworth, hearing their voices in my head, the friendliness, the enthusiasm, the sheer joy of life, and it saddens me to know that they’re gone. That now those voices are only in my head, triggered by the words on screen. The world is a little smaller, a little duller.

With the fourth book, I’m coming to the end of my own long journey with LEXX, and that’s also a little sad I suppose. It’s been with me for such a long time, and finishing this book, setting it loose in the world, will mean the end of something personal for me.
I’ll take a moment and be completely honest. I’m doing a bit of huckstering. I’d like to sell a few books. Honestly, I’d like to sell a lot. But I’ll settle for a few. And hell, maybe even interest some of you in some of my other work. I’m a writer, so I figured the best way to do that is to write something. Offer up something to people that they haven’t seen with LEXX, something that’s just not another publicity photo of Eva or a screen cap of Michael. Offer up myself.

You see, I genuinely believe that LEXX really was something special, something unique. That it was visually innovative and startling, that it plumbed depths or surrealism and absurdity. Everyone knows Vadim for Barbarella, or Jodorowsky or Bunel for surrealism, or Ionescu for the Rhinoceros or Ubu Rex. They teach courses in these guys, they have classes, they’re studied, people do Masters degrees and PhD’s, and I honestly think LEXX is that calibre, that innovative, that subversive and ground breaking. That LEXX is that significant, and the story of LEXX is fascinating and important.

So yes! Yes I want to sell books. When I released the first volume, I just wanted it out of my hard drive, and out in the world. But now, years later, putting all the work into it again and again, damned right I want people to read it!

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After the WFC, Reflections and Musings.

he World Fantasy Convention in Salt Lake City is over and done with, life returns to normal. Or as normal as we get these days.

I thought I’d share a few reflections.

First up, I found it really well organized. The web site was clear and easy to navigate, the portal or video conferencing system, was intuitive. I got the hang of it pretty quickly, and despite trepidation, navigated quite easily. I found what I wanted to find without difficulty, and the few times I struggled, the tech crew was understanding and helpful. Apparently they had technical glitches, as with the readings, but they coped, adapted and everything went smoothly.

Not everyone had my experience, a few of the more famous established writers seemed to struggle a little.

But personally, this was great. As far as I’m concerned, this could serve as a blueprint for online conventions.

Programming what I saw of it, was excellent. Programming started Wednesday and ran through Sunday. There was a mix of ‘professional development’ and ‘writing development’ panels. I especially appreciated the ones on finding an agent and on marketing. But all the panels were interesting and imaginative.

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World Fantasy Convention – Panels and Reading

The World Fantasy Convention is the great ‘Business Convention’ of the SF/F/H Literary World.  It’s not a Comic-Con, it’s not a fan con. There’s dealers, but they’re just one room.  Mostly, it’s Writers, Agents, Editors, Publishers and Artists, people in the trade, and people trying to get in the trade, hanging out, hobnobbing, socializing, enjoying each other’s company, and sometimes wheeling and dealing.

Go there, and odds are you’ll meet all your favourite writers.  You can walk down a hallway, and see the writers you grew up with, the writers that helped form your identity, the people you passed time with, the writers who were guilty pleasures, and the ones you’re reading now.  You can just go up and talk to them.  It’s a business Con, the panels are about writing, serious writing, genres, where the industry is going, insider views.

It’s the place to be if you’re dedicated to the craft.  This year, it’s in Salt Lake City, and due to Covid-19, it’s online.

I’m doing two panels and a reading!  Wow!  I feel like Pinochio when he turns into a real boy!

Check out the panels I’m on….

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Booklife Contest: Update – The Luck

The review came in finally, with The Luck, my second entry into the Booklife Contest.  Just to recap, it’s a legit contest.  All the entries get a professional review, which you can use, or bury forever in a lead lined vault, depending on how the review turns out. Some of them are pretty scathing, I gather, looking at previous comments (complaints).  After the initial round there’s the quarterly finals, the semi-finals, the finals and then a First prize of $5000.00.  My first entry, The Princess of Asylum, has made it into the quarter finals.

Plot: Valdron’s The Luck is a sequel/prequel to The Mermaid’s Tale, but it succeeds as a stand-alone title. Valdron’s complex, well-woven work of fantasy immediately thrusts readers into a detailed world occupied by a menagerie of beings living at odds with, and in suspicion of, one another.

Prose: Valdron’s writing is immersive and colorful, providing a a fine blend of descriptive worldbuilding, exposition, and dialogue that lifts the storytelling.

Originality: The world of The Luck is filled by familiar beings, but provides freshness in the dynamics between these occupants and communities in conflict, as well as its mystery element. The journey of an orc and her unlikely gnome companion, is a rich and enjoyable one.

Character/Execution: Valdron’s protagonist is immensely intriguing. Her identity is slow to emerge and readers expecting a quick moving fantasy may grow frustrated. Those willing to invest in her and other creaturely characters’ story arcs, will be deeply rewarded.

Score:

  • Plot/Idea: 8
  • Originality: 8
  • Prose: 8
  • Character/Execution: 9
  • Overall: 8.25
You are welcome to use this Critic’s Report as promotional copy or as a blurb to promote your book. Please note: When attributing quotes from this Critic’s Report, you must credit The BookLife Prize.

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