THE FALL GUY STUMBLES

The Fall Guy: Ryan Gosling & Emily Blunt, Two Forces Of Barbenheimer, Get A Thumbs Up In Test ...

So, I watched the Fall Guy, starring Ryan Gosling, and a bunch of other people I don’t really care about, and I came away … “meh.” Not even “Meh!” Just… “…meh…”

I kind of wondered why. It had all the ingredients. A bankable star, big set pieces, charismatic leads and supporting crew, a story. But oddly, I felt unmoved.

In some ways, I think I was hoping for something akin to “The Stuntman.” If you haven’t seen it, go find it. Basically, the Stunt man is about some shlub, he’s escaping prison or something, and he stumbles into a movie set, and ends up in the middle of some hair raising stunt sequence where he’s scrambling, terrified for his life, as everything goes to hell around him, until suddenly the Director yells ‘cut!’

Seems that the movie has lost a stunt man, he died or something, and our hero is thrown into the wild world of movie making, struggling through ridiculously contrived and impossible stunts, as a Godlike Director harangues everyone. Brilliant film. I want to go watch it now.

Then I think there’s an old Burt Reynolds movie, Hooper (guessing) about a stuntman. In it, Reynolds plays a stunt man, slowly wrecking his body, as he commits to increasingly dangerous stunts, second guessing his life, coping with rivals, trying to build a relationship and struggling with a callous director. I don’t know that it’s briliant, and there’s a lot of Burt Reynold’s being Burt in it. But there’s also something genuine in it, perhaps Burt had some resonance and insight into the tough guy stuntmen doing risky, reckless work that makes it worth a watch. That seemed more affecting than the fall guy.

But this? It just never really engages. For a movie about movie stunts, there’s remarkably little engagement. We never see the intricacies of how stunts are pulled off, the meticulous care going into an effect, the degree of planning, or the degree of genuine risk. We mostly just see stunts. But we know they’re all stunts, even when they’re played for real, so it kind of falls into this uncanny valley of artifice.

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AI IS “NICE”

Robots | Amazing stories, Science fiction illustration, Science fiction magazines

That’s not a compliment. It’s a deception. AI is programmed to be ‘nice.’ It says ‘excuse me’ and “i think what you’re looking for’ and “oh sorry.”

It engages in what amounts to calming, engaging, non-confrontational, obsequious language.

That’s not real. It’s not even AI. There’s no real special programming involved in saying ‘please’ and ‘thank you’ and ‘excuse me.’

That’s just idiot coding, building obsequious tropes designed to give the impression of a friendly, slightly submissive, inoffensive, eager to please personality. Seriously, just pick out a couple of hundred mildly ass-kissing vague phrases, sprinkle them in to pop up randomly at appropriate places, and you have a simulation of a friendly helpful personality.

It’s so insidious and so simple that I’m stunned that all those automated customer service phone menus that we get stuck with, instead of real people haven’t been programmed with. But then again, those automated menus aren’t there to really help you, but to stream you, and if necessary get rid of you.

It’s definitely not real. There’s no actual personality, no actual identity, there’s no morals, ethics or judgment. It’s just a guise, wrapped around an AI interactive program, to enlist our sympathy and emotional engagement.

The problem with this fake ‘niceness’ is its seductive. We find ourselves trusting it, because it seems careful, because it seems to be earnestly trying its best, because it seems likable.

Me, I don’t trust nice. You k now who is ‘nice’? Predators. Con men. People who lie. People who want to sell you junk. People who want things to you that maybe you don’t want to give them. People who will hurt you.

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KEYCON WRAP UP

Well, that’s over with. I’m surprised by how exhausted I was. Dealing with humans really drains my battery.

I’m happy to say, no one was bitten. Well a few people were bitten. Actually a lot of people were bitten. Honestly I was like wolverine at an all you can eat buffet. But it’s okay, because everyone was fine… most people were fine… a lot of people survived the amputations and emergency triage… there were survivors. Anyway, the outbreak was contained, and or will be contained, or could be. Look, if you’re in Saskatchewan, there’s nothing to worry about, for a while. And anyway, if you’re in British Colombia, you’re safe behind the mountains, and you can escape overseas.

So it’s all cool.

On a serious note: I did the Dealer’s Room experience, many thanks to the unstoppable Casia Schreyer and Scarlett Kol, who let me share a table. I spent most of my time hiding out behind the table, a nine inch space because both Scarlet and Casia are supernaturally slender and Casia can achieve two dimensions if she holds her breath. It was great working with them.

It was good, we each sold a bunch of books. Talked to book lovers occasionally. R.J. Hore was there selling his books. We visited back and forth. I also dropped by and said hello to the two other book sellers. Nice people.

Reflections on the Dealer’s Room experience? It was definitely a nice networking experience and getting to know Casia and Scarlett., and talking shop with them and R.J. I hate to be the neophyte know it all, I might have some small ideas for doing it.

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TORONTO INDIE AUTHOR CONFERENCE

Well, the first annual Toronto Indie Writer’s Conference has come and gone. There will be one next year, and I’m signing up for it the minute they hang out a shingle.

It was great! 

Most writer’s conferences tend to focus on craft – how to write, what to write, the political and social issues of being a writer, the technique, and sometimes the fun stuff.  It’s all very literary.

This was about Trade – how to do a Kickstarter, the techniques of Facebook ads, that kind of thing.

We do get a bit of that in occasional panels at regular conventions – but usually it’s a group of people who are very experienced on the panel talking shop with each other. It’s like listening to a lively discussion in Greek.

This, on the other hand, was really focusing on working trade issues, mainly single presenters, exploring topics at skill levels in systematic ways. It was fascinating. Of the eight sessions and four round tables, there wasn’t a single dud in the bunch. Everything was useful or interesting, even if I didn’t necessarily understand it or wasn’t in a position to take advantage of it.

Honestly, some of it, was just totally above my level, I could barely follow along, but even then, it was good – If I couldn’t handle it now, I picked up enough to have some idea of how to learn, and the feeling was that I could master it eventually.

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CONVENTIONS UPDATE

All right, so tentative convention scheduling happening.  I’m mainly doing this for myself, so I can keep track.
TORONTO WRITERS WORKSHOP – April 5 and 6, Toronto – Been there, done that, did the follow ups.
INDIE WRITERS CONFERENCE – May 4 and 5 – Happening in Toronto this weekend. Basically, there to learn about marketing and career development.
OHIO WRITING WORKSHOP – May 10 and 11 – Online pitching.
KEYCON – May 17 and 18, Winnipeg – Looks like I will be doing a few panels –
Do Books have a Future,
* Twilight of Echelon with Robert Pasternak and others, Saturday 3:00 pm
* Do Books Have a Future, Saturday, 8:00 pm
* Reading, Sunday 1:00 pm
* Alternate History, Sunday 3:00 pm
NASFIC – July 18-21, Buffalo, New York. Submitted for lots of programming, stay tuned.
WHEN WORDS COLLIDE – August 16-17, Calgary – Good news, I have been accepted as a programming panelist. Being run by a new bunch. Much harder to get in. Stay tuned.
WORLD FANTASY CONVENTION – October 17-20, Niagara Falls, Can. Programming not open yet.
CAN-CON – November 1-3, Ottawa. Programming not open yet.
That’s about it. If Fanquest is happening in Winnipeg this year, I might try for that.  Or if something comes up.  I’ve also volunteered to do presentations and workshops for  the MWG.  At this point, I’ve done three Presentations for the MWG and Writers organizations in Toronto and British Colombia.  Well, if nothing else, I’m putting a lot of time and energy into pretending to be a writer.
I think that’s going to be enough. Next year, maybe just a couple of conventions, tops. Worldcon in Seattle, and maybe one or two others.

NEW YOUTUBE VIDEO – ARTIFICIAL INTELLIGENCE

THE FUTURE COMING AT US – ARTIFICIAL INTELLIGENCE AND YOU.

Recently, I did a presentation on Artificial Intelligence and the future of writing for the Manitoba Writers Guild. It was based somewhat on a presentation I did last year for the North American Science Fiction Convention held in Winnipeg.

I think it was a good presentation, running over two hours, and amounting to an intense discussion of what AI was, the current issues and problems, and where and how it was likely to affect Writers.

Anyway, the Manitoba Writer’s Guild recorded it for Zoom, and since the Zoom was made available, my friend, Dean Naday, producer and partner for The Attick edited a half hour summary. I think he did a great job.

The discussions around Artificial Intelligence are huge, we’re barely even beginning to grasp the right questions to ask, even while it all runs away on us. It may literally change every aspect of our lives. The potential is undefined, and at its widest scope, terrifying.

Artificial Intelligence and Writers, how it affects us, how it affects our livelihood and our hopes for our craft is a small part of the story. Hopefully, I’ve done it justice and not gotten too many things wrong. I suspect that the future is coming at us very fast.

https://www.youtube.com/watch?v=ec90tgllb0w

THE MUSEUM OF HUMAN RIGHTS, IT’S IRONIC

THE MUSEUM OF IRONY

That’s what we Winnipeggers call the Museum of Human Rights, that giant monument to the vanity of the Aspers. Some people call it the Museum of Tolerance, after the old South Park episode.

It might be a little cruel, but Manitobans are cynical people. It’s the winters, I think. Survive a Manitoba winter, the slush, the snow, the fifty degrees below zero freezes, the endless promise of warmer weather just around the corner, to be replaced by the next big freeze or snowfall… well, after that, you just stop believing in anyone or anything.

Still, I am a Maritimer by birth, and for all the innate ferocity, cruelty and enthusiastic brutality beneath our welcoming smiles, there is a tiny shred of moral decency beneath it all. So I feel just a little bit bad about what I’m about to write.

But not that bad.

I visited the Museum of Human Rights today. I was very impressed by their inclusion of Buffy St. Marie’s picture in their gallery of indigenous people, the inclusion of her music in the same gallery. It gladdens my heart to see that the Museum affirms the importance of that much overlooked indigenous group, the Pretendians, to the cause of human rights. Apparently there is no greater testament to cultural integrity than the theft of it.

Oh well, that’s the Museum of Human Rights for you. Honestly, it’s none of my business. The status of Buffy St. Marie to the indigenous community is a matter for the indigenous community to decide, not for me. I just accept their consensus. If the Museum has its own views on the matter, that’s a conversation between them and the indigenous community.

And I’ll say no more about it.

I might buy some popcorn though.

I’ve been to the Museum of Human Rights a few times though. My honest impression?

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