The Nazification of the Republican Party

THE NAZIS HAVE COME OUT OF THE CLOSET
Strong words? Yes they are. But well deserved. I know that some will think I’m overstating it, or that I’m trivializing the historical Nazis, after all, the Capitol Insurrectionists were just a small group.  It’s not like we’re looking at concentration camps and gas chambers.
But then, for much of their history, the Nazis weren’t about concentration camps and gas chambers.  That sort of stuff came later, when they were fully in charge, and no one could stop them.
Before it got to that point though, between 1920 and 1933 when they took over, the Nazis spent a long time becoming what they were, and building and bullying their way into power.  These are the Nazis I’m talking about.
January 6, 2021, and the days that follow have been traumatic. It’s one thing to worry about the direction things are going. It’s one thing to watch the Republicans get crazier and crazier, going from Global Climate Change is a hoax, to Russian hoax, Coronavirus hoax, to watch them politicise everything, to embrace a culture of lies and spin and perpetual rage.  It’s one thing to watch with profound disquiet as a man who campaigned to lock his rival up and openly suggested a ‘second amendment solution’ or assassination for her, systematically tears down democracy.
But it’s still stunning to see full fledged Nazism rear its head.

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LEXX Unauthorized – Reviews

Generally, I get these books out, and then I don’t think about them too much.  Nobody else does, so it evens out.  But uploading the Latest LEXX Unauthorized, I was startled to discover that I got reviews.  So, I thought I’d share them.  Apologies to folks if I’m violating someone’s copyright. But really, I’m flattered, and frankly, it’s a lonely thing to be a writer.  So here goes…

FROM AMAZON

LEXX UNAUTHORIZED, Volume 1
Abraham
Reviewed in Canada on June 18, 2020
Verified Purchase

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LEXX Unauthorized, Series Three: It’s Hot and It’s Cold

Fire and Water, Heaven and Hell

Cause it’s hot and it’s cold
It’s “Yes” or it’s “No”
It’s in if it’s out
It’s up but it’s down
It’s wrong or it’s right

It’s black and it’s white

                                                                                        Apologies to Katy Perry

SERIES THREE OF LEXX, when everything radically.  Gone were the Sci Fi adventures from planet to planet, the dark, funny, furious adventures.  In it’s place was a thirteen part serial in which the LEXX was trapped in orbit around two warring planets, Fire and Water, and the crew journeyed between them, solving the mystery of Heaven and Hell. Behind the scenes, the genesis of series three was just as topsy turvy, with story roots going back before the first series was even released, driven by the crises and struggles of the second season, and wrestling with financial cutbacks. Volume three covers everything and anything to do with the third series.

WHAT IS LEXX: A ground breaking Canadian sci fi television series, created by Paul Donovan, Lex Gigeroff and Jeff Hirschfield, shot and produced in Halifax, Nova Scotia, by Salter Street Films, that ran four seasons between 1996 and 2002.

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Local Heroes: David Perlmutter’s ORTHICON

David (D.K.) Perlmutter is another local genre writer. I first ran across him through his vividly written ‘American Toons,’ a nonfiction history of animation in America that was fresh, lively and engaging. It is perhaps not a surprise that his debut novel, Orthicon, draws on those sources, following in the footsteps of Roger Rabbit…

Imagine you live a relatively normal life, in a relatively normal place. Then, without warning, you are abducted, and sent to live in a distant place, far off Earth. It gets stranger still when you find out you are not human, or animal, or whatever you thought you were, but completely alien. And your entire life, past, present and future, has been shaped by forces beyond your control, with no way for you to control them.  Save one…

Named one of the top 50 Best Indie Books of the Year by Read.Freely.com, “Orthicon” is a revealing narrative told in many voices, coming to only one conclusion. A revealing debut novel with an intriguing premise: who decides what is real, what is human, and what is otherwise.

I’m a freelance writer based in Winnipeg, Manitoba, Canada. The first major book I had published was America ‘Toons In: A History Of Television Animation (McFarland Press) in 2013; the title is self-explanatory, I think. I’m currently working on an updated second edition of that.  I’ve also written a reference work, The Encyclopedia Of American Animated Television Shows (Rowman and Littlefield).

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And the winner is not….

…me.

Oh well. Boo hoo and all that.

The finals have been announced for the Booklife Contest.  As per previous blog posts, my novel, The Princess of Asylum had made it to the quarter finals, and then the semi-finals. Really good review, really good score.  Check it out here:

https://booklife.com/project/the-princess-of-asylum-49518

Alas, not quite good enough.

The Finalist, Fantasy/Science Fiction/Horror for is E.M. Hamill’s Peacemaker.  You can check it out here:

https://booklife.com/project/peacemaker-46487

E.M. Hamill, according to her bio on Booklife is  “a nurse by day, unabashed geek, chocoholic, sci fi and fantasy novelist by nights, weekends, and whenever she can steal quality time with her laptop. She lives with her family, a dog, and a cat in the wilds of eastern suburban Kansas, where they fend off flying monkey attacks and prep for the zombie apocalypse.”

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The Past is a Horrible Country

I was recently on an alternate history panel for the World Fantasy Convention. Technically, it was about alternate history and fantasy, to wit…

“Alternate history has long been the domain of science-fiction writers, but it is now being enthusiastically colonized by writers of fantasy, who are bringing in magic, dragons, and the full panoply of the uncanny into what used to be an orderly and rational sub-genre. Who’s doing this and what’s going on?”

Actually, I don’t think it’s that big a deal. A lot of alternate history has had or assumes magical elements. It goes all the way back to Robert Heinlein and his story, Magic Inc. I’m not one of these guys who draws hard and fast lines between fantasy and science fiction, or fantasy and magical realism, or whatever. All of Speculative Fiction simply assumes that at least one thing, and sometimes many things, goes unnatural and you take it from there.

I just want to talk about one thing that struck me during the panel, that I never got a chance to talk about.

Steampunk. I find it interesting, but the entire steampunk genre seems to be in the process of being colonized by, or is entirely colonized by Fantasy. Blame it on Kim Newman and his Anno Dracula perhaps, or the novels Gail Carriger, or the Weird West subgenre. But as often as not, when you’re reading steampunk, there’s strong fantasy elements – ghosts, vampires, goblins, weird creatures, magic, etc.

I think part of that is that when you’re writing in this genre, you’re reaching back into the literary traditions of the ‘weird tales’ of the day, and it all starts to melt together.

But there’s another element to consider.

Victorian, England was a pretty horrific place.

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World Fantasy Convention – Panels and Reading

The World Fantasy Convention is the great ‘Business Convention’ of the SF/F/H Literary World.  It’s not a Comic-Con, it’s not a fan con. There’s dealers, but they’re just one room.  Mostly, it’s Writers, Agents, Editors, Publishers and Artists, people in the trade, and people trying to get in the trade, hanging out, hobnobbing, socializing, enjoying each other’s company, and sometimes wheeling and dealing.

Go there, and odds are you’ll meet all your favourite writers.  You can walk down a hallway, and see the writers you grew up with, the writers that helped form your identity, the people you passed time with, the writers who were guilty pleasures, and the ones you’re reading now.  You can just go up and talk to them.  It’s a business Con, the panels are about writing, serious writing, genres, where the industry is going, insider views.

It’s the place to be if you’re dedicated to the craft.  This year, it’s in Salt Lake City, and due to Covid-19, it’s online.

I’m doing two panels and a reading!  Wow!  I feel like Pinochio when he turns into a real boy!

Check out the panels I’m on….

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Booklife Contest: Update – The Luck

The review came in finally, with The Luck, my second entry into the Booklife Contest.  Just to recap, it’s a legit contest.  All the entries get a professional review, which you can use, or bury forever in a lead lined vault, depending on how the review turns out. Some of them are pretty scathing, I gather, looking at previous comments (complaints).  After the initial round there’s the quarterly finals, the semi-finals, the finals and then a First prize of $5000.00.  My first entry, The Princess of Asylum, has made it into the quarter finals.

Plot: Valdron’s The Luck is a sequel/prequel to The Mermaid’s Tale, but it succeeds as a stand-alone title. Valdron’s complex, well-woven work of fantasy immediately thrusts readers into a detailed world occupied by a menagerie of beings living at odds with, and in suspicion of, one another.

Prose: Valdron’s writing is immersive and colorful, providing a a fine blend of descriptive worldbuilding, exposition, and dialogue that lifts the storytelling.

Originality: The world of The Luck is filled by familiar beings, but provides freshness in the dynamics between these occupants and communities in conflict, as well as its mystery element. The journey of an orc and her unlikely gnome companion, is a rich and enjoyable one.

Character/Execution: Valdron’s protagonist is immensely intriguing. Her identity is slow to emerge and readers expecting a quick moving fantasy may grow frustrated. Those willing to invest in her and other creaturely characters’ story arcs, will be deeply rewarded.

Score:

  • Plot/Idea: 8
  • Originality: 8
  • Prose: 8
  • Character/Execution: 9
  • Overall: 8.25
You are welcome to use this Critic’s Report as promotional copy or as a blurb to promote your book. Please note: When attributing quotes from this Critic’s Report, you must credit The BookLife Prize.

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Local Heroes: Joan Havelange and the Mystery Tour

My genre is speculative fiction. Science Fiction, Fantasy, Horror, Surrealism, Magic Realism etc.  But  there are other genre’s.  Mystery is the kissing cousin to speculative fiction.  Both mystery and horror were founded by Edgar Allen Poe, and the genres cross back and forth.

Today, I want to showcase Joan Havelange, a Manitoba mystery writer, and absolutely gracious lady, following in the footstapes of Agatha Christie.  Her sleuth, Mabel Havelock, has featured in two novels with a third upcoming, and hopefully many more. I hope that you enjoy this brief glimpse and that you search out Mabel’s adventures…

I  directed a  theatre for 15 years. I find writing is a lot like directing; only my characters show up on time and always know their lines. Although sometimes they do go off in a direction that surprises me.  All fictional stories, I think, start out as ‘what if?’ What if you were golfing and your wayward shot ends up in the middle of a dead man’s forehead?

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Demon Hotel, Based on a True Story

The Demon Hotel is a real thing. Or it was. Demon Hotel used to be an abandoned three story apartment block at 44 Hargrave in downtown Winnipeg. It was a formidable brick structure dating from around 1910, with a red brick facade and old fashioned bay windows which loomed ominously. The stone stairs that fronted it had been slowly worn by thousands of feet going back and forth over decades. The front lobby was covered with mosaic tiles, and featured a long broken pay phone.

Inside the building was a maze of resident staircases going up and down, emergency stairs, and service stairs which concealed the ancient wiring and plumbing. I’d actually visited it decades ago, passing by the broken pay phone, its casing cracked, and hanging out with street kids in the basement, as they hot knifed hash and talked music and gossip.

I’m not sure why the building closed down. Perhaps settling or subsidence of the soil following the great Winnipeg flood a decade or so ago, you could see visible cracks running up from the foundation, crawling the length of the building, and skewing the window frames, giving the front of the building a wicked twisted smile, as if it knew something you didn’t, something dark and disturbing.

But close down it did. The last tenants moved out, died or were evicted. Desultory efforts at renovation were begun and then abandoned. The windows on the lower floors were boarded up, but now and then, lights seemed to shine from the unboarded upper windows. Shapes were sometimes glimpsed in those upper windows, the fleeting impressions of windows looking down.

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