LEXX, a personal story

Here I am working on the fourth and final book of LEXX, and it’s a bittersweet experience.

I’m going through old notes, re-reading interviews with Lex Gigeroff and John Dunsworth, hearing their voices in my head, the friendliness, the enthusiasm, the sheer joy of life, and it saddens me to know that they’re gone. That now those voices are only in my head, triggered by the words on screen. The world is a little smaller, a little duller.

With the fourth book, I’m coming to the end of my own long journey with LEXX, and that’s also a little sad I suppose. It’s been with me for such a long time, and finishing this book, setting it loose in the world, will mean the end of something personal for me.
I’ll take a moment and be completely honest. I’m doing a bit of huckstering. I’d like to sell a few books. Honestly, I’d like to sell a lot. But I’ll settle for a few. And hell, maybe even interest some of you in some of my other work. I’m a writer, so I figured the best way to do that is to write something. Offer up something to people that they haven’t seen with LEXX, something that’s just not another publicity photo of Eva or a screen cap of Michael. Offer up myself.

You see, I genuinely believe that LEXX really was something special, something unique. That it was visually innovative and startling, that it plumbed depths or surrealism and absurdity. Everyone knows Vadim for Barbarella, or Jodorowsky or Bunel for surrealism, or Ionescu for the Rhinoceros or Ubu Rex. They teach courses in these guys, they have classes, they’re studied, people do Masters degrees and PhD’s, and I honestly think LEXX is that calibre, that innovative, that subversive and ground breaking. That LEXX is that significant, and the story of LEXX is fascinating and important.

So yes! Yes I want to sell books. When I released the first volume, I just wanted it out of my hard drive, and out in the world. But now, years later, putting all the work into it again and again, damned right I want people to read it!

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The Capitol Coup, the People Power Revolution that Failed

Still thinking about the attempted Coup on January 6, 2021, about the Nazification of the Republican/Right wing, and the consequences going forward.  It ain’t pretty.

One of the defenses that Nazis are raising is to deny it was a Coup attempt at all. This particular party line is that it was a simple riot. Hell, it wasn’t even a riot, it was just a demonstration, a ‘First Amendment Protest’ that got out of hand. Watch for that little descriptor by the way, that’s probably going to be pushed really hard on the right.

“First Amendment Protest” as if anyone in that crowd was thinking of the first amendment as they tried to overthrown Congress.

But the Nazis have the shadow of an argument?  Is it a real coup if it’s such a badly organized shit show?  Aren’t coup attempts supposed to involve the Army, or at least professionals rather than semi-literate cosplayers and fat guys in T-shirts? Look at them, they just wandered around tasering each other accidentally, pooping in hallways, and stealing letters from Nancy Pelosi’s desk! How do we call that a coup attempt.

Well, there are a few responses.

First, history is full of half baked coup attempts by incompetent ass clowns.  Incompetence has never been a defense to a crime.

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The Nazification of the Republican Party

THE NAZIS HAVE COME OUT OF THE CLOSET
Strong words? Yes they are. But well deserved. I know that some will think I’m overstating it, or that I’m trivializing the historical Nazis, after all, the Capitol Insurrectionists were just a small group.  It’s not like we’re looking at concentration camps and gas chambers.
But then, for much of their history, the Nazis weren’t about concentration camps and gas chambers.  That sort of stuff came later, when they were fully in charge, and no one could stop them.
Before it got to that point though, between 1920 and 1933 when they took over, the Nazis spent a long time becoming what they were, and building and bullying their way into power.  These are the Nazis I’m talking about.
January 6, 2021, and the days that follow have been traumatic. It’s one thing to worry about the direction things are going. It’s one thing to watch the Republicans get crazier and crazier, going from Global Climate Change is a hoax, to Russian hoax, Coronavirus hoax, to watch them politicise everything, to embrace a culture of lies and spin and perpetual rage.  It’s one thing to watch with profound disquiet as a man who campaigned to lock his rival up and openly suggested a ‘second amendment solution’ or assassination for her, systematically tears down democracy.
But it’s still stunning to see full fledged Nazism rear its head.

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LEXX Unauthorized – Reviews

Generally, I get these books out, and then I don’t think about them too much.  Nobody else does, so it evens out.  But uploading the Latest LEXX Unauthorized, I was startled to discover that I got reviews.  So, I thought I’d share them.  Apologies to folks if I’m violating someone’s copyright. But really, I’m flattered, and frankly, it’s a lonely thing to be a writer.  So here goes…

FROM AMAZON

LEXX UNAUTHORIZED, Volume 1
Abraham
5.0 out of 5 stars Fun and interesting!
Reviewed in Canada on June 18, 2020
Verified Purchase

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LEXX Unauthorized, Series Three: It’s Hot and It’s Cold

Fire and Water, Heaven and Hell

Cause it’s hot and it’s cold
It’s “Yes” or it’s “No”
It’s in if it’s out
It’s up but it’s down
It’s wrong or it’s right

It’s black and it’s white

                                                                                        Apologies to Katy Perry

SERIES THREE OF LEXX, when everything radically.  Gone were the Sci Fi adventures from planet to planet, the dark, funny, furious adventures.  In it’s place was a thirteen part serial in which the LEXX was trapped in orbit around two warring planets, Fire and Water, and the crew journeyed between them, solving the mystery of Heaven and Hell. Behind the scenes, the genesis of series three was just as topsy turvy, with story roots going back before the first series was even released, driven by the crises and struggles of the second season, and wrestling with financial cutbacks. Volume three covers everything and anything to do with the third series.

WHAT IS LEXX: A ground breaking Canadian sci fi television series, created by Paul Donovan, Lex Gigeroff and Jeff Hirschfield, shot and produced in Halifax, Nova Scotia, by Salter Street Films, that ran four seasons between 1996 and 2002.

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Local Heroes: David Perlmutter’s ORTHICON

David (D.K.) Perlmutter is another local genre writer. I first ran across him through his vividly written ‘American Toons,’ a nonfiction history of animation in America that was fresh, lively and engaging. It is perhaps not a surprise that his debut novel, Orthicon, draws on those sources, following in the footsteps of Roger Rabbit…

Imagine you live a relatively normal life, in a relatively normal place. Then, without warning, you are abducted, and sent to live in a distant place, far off Earth. It gets stranger still when you find out you are not human, or animal, or whatever you thought you were, but completely alien. And your entire life, past, present and future, has been shaped by forces beyond your control, with no way for you to control them.  Save one…

Named one of the top 50 Best Indie Books of the Year by Read.Freely.com, “Orthicon” is a revealing narrative told in many voices, coming to only one conclusion. A revealing debut novel with an intriguing premise: who decides what is real, what is human, and what is otherwise.

I’m a freelance writer based in Winnipeg, Manitoba, Canada. The first major book I had published was America ‘Toons In: A History Of Television Animation (McFarland Press) in 2013; the title is self-explanatory, I think. I’m currently working on an updated second edition of that.  I’ve also written a reference work, The Encyclopedia Of American Animated Television Shows (Rowman and Littlefield).

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After the WFC, Reflections and Musings.

he World Fantasy Convention in Salt Lake City is over and done with, life returns to normal. Or as normal as we get these days.

I thought I’d share a few reflections.

First up, I found it really well organized. The web site was clear and easy to navigate, the portal or video conferencing system, was intuitive. I got the hang of it pretty quickly, and despite trepidation, navigated quite easily. I found what I wanted to find without difficulty, and the few times I struggled, the tech crew was understanding and helpful. Apparently they had technical glitches, as with the readings, but they coped, adapted and everything went smoothly.

Not everyone had my experience, a few of the more famous established writers seemed to struggle a little.

But personally, this was great. As far as I’m concerned, this could serve as a blueprint for online conventions.

Programming what I saw of it, was excellent. Programming started Wednesday and ran through Sunday. There was a mix of ‘professional development’ and ‘writing development’ panels. I especially appreciated the ones on finding an agent and on marketing. But all the panels were interesting and imaginative.

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Super 8 and the Mystery in Dracula’s Castle

I was watching Super 8 last night. That’s the J.J. Abrams tribute to the 80’s, and Steven Spielberg movies. It has that same sort of feel of Stranger Things. Likely because they both have the same inspirations, ET, the Goonies, kids adventures and Steven King novels.

One of the cool things about Super 8, is the movie within the movie. The kids are using Super 8 cameras to make their own little epic. The connection is tangential, their Super 8 project means that they’re in the right place at the right time to see the train wreck which marks the alien escape and the main plot.

Oddly, that reminded me of a movie I hadn’t seen in a long time. The Mystery in Dracula’s Castle. This is an oldy, it aired way back in 1973, as a two parter, on the Wonderful World of Disney. Later on in the 1980’s, the two parts were stapled together and it floated around on cable channels.

Basically, the story is that a small group of kids get inspired, and decide to make their own version of Dracula on mom’s trusty Super 8. This intersects with the “A” plot which involves a jewelry heist, when the kids decide that the lighthouse the gang is hanging out with their ill gotten jewels turns out to be the perfect location for their Dracula movie.

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And the winner is not….

…me.

Oh well. Boo hoo and all that.

The finals have been announced for the Booklife Contest.  As per previous blog posts, my novel, The Princess of Asylum had made it to the quarter finals, and then the semi-finals. Really good review, really good score.  Check it out here:

https://booklife.com/project/the-princess-of-asylum-49518

Alas, not quite good enough.

The Finalist, Fantasy/Science Fiction/Horror for is E.M. Hamill’s Peacemaker.  You can check it out here:

https://booklife.com/project/peacemaker-46487

E.M. Hamill, according to her bio on Booklife is  “a nurse by day, unabashed geek, chocoholic, sci fi and fantasy novelist by nights, weekends, and whenever she can steal quality time with her laptop. She lives with her family, a dog, and a cat in the wilds of eastern suburban Kansas, where they fend off flying monkey attacks and prep for the zombie apocalypse.”

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The Past is a Horrible Country

I was recently on an alternate history panel for the World Fantasy Convention. Technically, it was about alternate history and fantasy, to wit…

“Alternate history has long been the domain of science-fiction writers, but it is now being enthusiastically colonized by writers of fantasy, who are bringing in magic, dragons, and the full panoply of the uncanny into what used to be an orderly and rational sub-genre. Who’s doing this and what’s going on?”

Actually, I don’t think it’s that big a deal. A lot of alternate history has had or assumes magical elements. It goes all the way back to Robert Heinlein and his story, Magic Inc. I’m not one of these guys who draws hard and fast lines between fantasy and science fiction, or fantasy and magical realism, or whatever. All of Speculative Fiction simply assumes that at least one thing, and sometimes many things, goes unnatural and you take it from there.

I just want to talk about one thing that struck me during the panel, that I never got a chance to talk about.

Steampunk. I find it interesting, but the entire steampunk genre seems to be in the process of being colonized by, or is entirely colonized by Fantasy. Blame it on Kim Newman and his Anno Dracula perhaps, or the novels Gail Carriger, or the Weird West subgenre. But as often as not, when you’re reading steampunk, there’s strong fantasy elements – ghosts, vampires, goblins, weird creatures, magic, etc.

I think part of that is that when you’re writing in this genre, you’re reaching back into the literary traditions of the ‘weird tales’ of the day, and it all starts to melt together.

But there’s another element to consider.

Victorian, England was a pretty horrific place.

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